The film industry was viewed as disreputable when Asquith was young, and according to the actor Jonathan Cecil, a family friend, Asquith entered his profession in order to escape his background. At the end of the 1920s he began his career with the direction of four silent films the last of which, A Cottage on Dartmoor established his reputation with its meticulous and often emotionally moving frame composition. Pygmalion (1938) was based on George Bernard Shaw's play featuring Leslie Howard and Wendy Hiller. He was a longtime friend and colleague of Terence Rattigan, they collaborated on ten films, and producer Anatole de Grunwald. His later films included Rattigan's The Winslow Boy (1948) and The Browning Version (1951), and Oscar Wilde's The Importance of Being Earnest (1952).
- Geoffrey Macnab "The Asquith version", The Guardian, 6 February 2003
- http://www.screenonline.org.uk/people/id/447391/index.html Anthony Asquith biography at BFI Screenonline
- Stephen Bourne "Behind the masks: Anthony Asquith and Brian Desmond Hurst" in Robin Griffiths (ed.) British Queer Cinema, Oxford: Routledge, 2006, p.37