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	<id>https://lgbthistoryuk.org/index.php?action=history&amp;feed=atom&amp;title=The_Well_of_Loneliness</id>
	<title>The Well of Loneliness - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://lgbthistoryuk.org/index.php?action=history&amp;feed=atom&amp;title=The_Well_of_Loneliness"/>
	<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=The_Well_of_Loneliness&amp;action=history"/>
	<updated>2026-07-15T16:16:36Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://lgbthistoryuk.org/index.php?title=The_Well_of_Loneliness&amp;diff=1989&amp;oldid=prev</id>
		<title>Ross Burgess at 08:06, 16 November 2011</title>
		<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=The_Well_of_Loneliness&amp;diff=1989&amp;oldid=prev"/>
		<updated>2011-11-16T08:06:26Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:06, 16 November 2011&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Well_of_Loneliness_-_Cape_1928.jpg|250px|thumb|right|&amp;lt;cite&amp;gt;The Well of Loneliness&amp;lt;/cite&amp;gt;, Jonathan Cape edition 1928]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Well_of_Loneliness_-_Cape_1928.jpg|250px|thumb|right|&amp;lt;cite&amp;gt;The Well of Loneliness&amp;lt;/cite&amp;gt;, Jonathan Cape edition 1928]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&amp;lt;cite&amp;gt;The Well of Loneliness&amp;lt;/cite&amp;gt;&#039;&#039;&#039; is a &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1928 &lt;/del&gt;lesbian novel by the British author [[Radclyffe Hall]]. It follows the life of Stephen Gordon, an Englishwoman from an upper-class family whose &quot;sexual inversion&quot; (that is, homosexuality) is apparent from an early age. She finds love with Mary Llewellyn, whom she meets while serving as an ambulance driver in World War I, but their happiness together is marred by social isolation and rejection, which Hall depicts as having a debilitating effect on inverts. The novel portrays inversion as a natural, God-given state and makes an explicit plea: &quot;Give us also the right to our existence&quot;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&amp;lt;cite&amp;gt;The Well of Loneliness&amp;lt;/cite&amp;gt;&#039;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, published 1928, &lt;/ins&gt;is a lesbian novel by the British author [[Radclyffe Hall]]. It follows the life of Stephen Gordon, an Englishwoman from an upper-class family whose &quot;sexual inversion&quot; (that is, homosexuality) is apparent from an early age. She finds love with Mary Llewellyn, whom she meets while serving as an ambulance driver in World War I, but their happiness together is marred by social isolation and rejection, which Hall depicts as having a debilitating effect on inverts. The novel portrays inversion as a natural, God-given state and makes an explicit plea: &quot;Give us also the right to our existence&quot;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &amp;lt;cite&amp;gt;Well&amp;lt;/cite&amp;gt; became the target of a campaign by James Douglas, editor of the Sunday Express newspaper, who wrote&amp;#039;&amp;#039; &amp;quot;I would rather give a healthy boy or a healthy girl a phial of prussic acid than this novel&amp;quot;&amp;#039;&amp;#039;. Although its only sexual reference consists of the words &amp;#039;&amp;#039;&amp;quot;and that night, they were not divided&amp;quot;&amp;#039;&amp;#039;, a British court judged it obscene because it defended &amp;#039;&amp;#039;&amp;quot;unnatural practices between women&amp;quot;&amp;#039;&amp;#039;. In the United States the book survived legal challenges in New York state and in Customs Court.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &amp;lt;cite&amp;gt;Well&amp;lt;/cite&amp;gt; became the target of a campaign by James Douglas, editor of the Sunday Express newspaper, who wrote&amp;#039;&amp;#039; &amp;quot;I would rather give a healthy boy or a healthy girl a phial of prussic acid than this novel&amp;quot;&amp;#039;&amp;#039;. Although its only sexual reference consists of the words &amp;#039;&amp;#039;&amp;quot;and that night, they were not divided&amp;quot;&amp;#039;&amp;#039;, a British court judged it obscene because it defended &amp;#039;&amp;#039;&amp;quot;unnatural practices between women&amp;quot;&amp;#039;&amp;#039;. In the United States the book survived legal challenges in New York state and in Customs Court.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot;&gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Novels]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Novels]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Lesbians]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ross Burgess</name></author>
	</entry>
	<entry>
		<id>https://lgbthistoryuk.org/index.php?title=The_Well_of_Loneliness&amp;diff=1987&amp;oldid=prev</id>
		<title>Ross Burgess at 08:03, 16 November 2011</title>
		<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=The_Well_of_Loneliness&amp;diff=1987&amp;oldid=prev"/>
		<updated>2011-11-16T08:03:16Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:03, 16 November 2011&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Well_of_Loneliness_-_Cape_1928.jpg|250px|thumb|right|The Well of Loneliness, Jonathan Cape edition 1928]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Well_of_Loneliness_-_Cape_1928.jpg|250px|thumb|right|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;cite&amp;gt;&lt;/ins&gt;The Well of Loneliness&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/cite&amp;gt;&lt;/ins&gt;, Jonathan Cape edition 1928]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;The Well of Loneliness&#039;&#039;&#039; is a 1928 lesbian novel by the British author [[Radclyffe Hall]]. It follows the life of Stephen Gordon, an Englishwoman from an upper-class family whose &quot;sexual inversion&quot; (that is, homosexuality) is apparent from an early age. She finds love with Mary Llewellyn, whom she meets while serving as an ambulance driver in World War I, but their happiness together is marred by social isolation and rejection, which Hall depicts as having a debilitating effect on inverts. The novel portrays inversion as a natural, God-given state and makes an explicit plea: &quot;Give us also the right to our existence&quot;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;cite&amp;gt;&lt;/ins&gt;The Well of Loneliness&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/cite&amp;gt;&lt;/ins&gt;&#039;&#039;&#039; is a 1928 lesbian novel by the British author [[Radclyffe Hall]]. It follows the life of Stephen Gordon, an Englishwoman from an upper-class family whose &quot;sexual inversion&quot; (that is, homosexuality) is apparent from an early age. She finds love with Mary Llewellyn, whom she meets while serving as an ambulance driver in World War I, but their happiness together is marred by social isolation and rejection, which Hall depicts as having a debilitating effect on inverts. The novel portrays inversion as a natural, God-given state and makes an explicit plea: &quot;Give us also the right to our existence&quot;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Well became the target of a campaign by James Douglas, editor of the Sunday Express newspaper, who wrote&#039;&#039; &quot;I would rather give a healthy boy or a healthy girl a phial of prussic acid than this novel&quot;&#039;&#039;. Although its only sexual reference consists of the words &#039;&#039;&quot;and that night, they were not divided&quot;&#039;&#039;, a British court judged it obscene because it defended &#039;&#039;&quot;unnatural practices between women&quot;&#039;&#039;. In the United States the book survived legal challenges in New York state and in Customs Court.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;cite&amp;gt;&lt;/ins&gt;Well&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/cite&amp;gt; &lt;/ins&gt;became the target of a campaign by James Douglas, editor of the Sunday Express newspaper, who wrote&#039;&#039; &quot;I would rather give a healthy boy or a healthy girl a phial of prussic acid than this novel&quot;&#039;&#039;. Although its only sexual reference consists of the words &#039;&#039;&quot;and that night, they were not divided&quot;&#039;&#039;, a British court judged it obscene because it defended &#039;&#039;&quot;unnatural practices between women&quot;&#039;&#039;. In the United States the book survived legal challenges in New York state and in Customs Court.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Publicity over The Well&#039;s legal battles increased the visibility of lesbians in British and American culture. For decades it was the best-known lesbian novel in English, and often the first source of information about lesbianism that young people could find. Some readers have valued it, while others have criticised it for Stephen&#039;s expressions of self-hatred and seen it as inspiring shame. Its role in promoting images of lesbians as &quot;mannish&quot; or cross-dressed women has also been controversial. Some critics now argue that Stephen should be seen as transgender.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Publicity over &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;cite&amp;gt;&lt;/ins&gt;The Well&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/cite&amp;gt;&lt;/ins&gt;&#039;s legal battles increased the visibility of lesbians in British and American culture. For decades it was the best-known lesbian novel in English, and often the first source of information about lesbianism that young people could find. Some readers have valued it, while others have criticised it for Stephen&#039;s expressions of self-hatred and seen it as inspiring shame. Its role in promoting images of lesbians as &quot;mannish&quot; or cross-dressed women has also been controversial. Some critics now argue that Stephen should be seen as transgender.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Although few critics rate The Well highly as a work of literature, its treatment of sexuality and gender continues to inspire study and debate.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Although few critics rate The Well highly as a work of literature, its treatment of sexuality and gender continues to inspire study and debate.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Novels]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ross Burgess</name></author>
	</entry>
	<entry>
		<id>https://lgbthistoryuk.org/index.php?title=The_Well_of_Loneliness&amp;diff=1976&amp;oldid=prev</id>
		<title>LGBT-HP at 16:55, 15 November 2011</title>
		<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=The_Well_of_Loneliness&amp;diff=1976&amp;oldid=prev"/>
		<updated>2011-11-15T16:55:31Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:55, 15 November 2011&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[File:Well_of_Loneliness_-_Cape_1928.jpg|250px|thumb|right|The Well of Loneliness, Jonathan Cape edition 1928]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;The Well of Loneliness&amp;#039;&amp;#039;&amp;#039; is a 1928 lesbian novel by the British author [[Radclyffe Hall]]. It follows the life of Stephen Gordon, an Englishwoman from an upper-class family whose &amp;quot;sexual inversion&amp;quot; (that is, homosexuality) is apparent from an early age. She finds love with Mary Llewellyn, whom she meets while serving as an ambulance driver in World War I, but their happiness together is marred by social isolation and rejection, which Hall depicts as having a debilitating effect on inverts. The novel portrays inversion as a natural, God-given state and makes an explicit plea: &amp;quot;Give us also the right to our existence&amp;quot;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;The Well of Loneliness&amp;#039;&amp;#039;&amp;#039; is a 1928 lesbian novel by the British author [[Radclyffe Hall]]. It follows the life of Stephen Gordon, an Englishwoman from an upper-class family whose &amp;quot;sexual inversion&amp;quot; (that is, homosexuality) is apparent from an early age. She finds love with Mary Llewellyn, whom she meets while serving as an ambulance driver in World War I, but their happiness together is marred by social isolation and rejection, which Hall depicts as having a debilitating effect on inverts. The novel portrays inversion as a natural, God-given state and makes an explicit plea: &amp;quot;Give us also the right to our existence&amp;quot;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>LGBT-HP</name></author>
	</entry>
	<entry>
		<id>https://lgbthistoryuk.org/index.php?title=The_Well_of_Loneliness&amp;diff=1974&amp;oldid=prev</id>
		<title>LGBT-HP at 16:52, 15 November 2011</title>
		<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=The_Well_of_Loneliness&amp;diff=1974&amp;oldid=prev"/>
		<updated>2011-11-15T16:52:24Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:52, 15 November 2011&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Well of Loneliness is a 1928 lesbian novel by the British author Radclyffe Hall. It follows the life of Stephen Gordon, an Englishwoman from an upper-class family whose &quot;sexual inversion&quot; (that is, homosexuality) is apparent from an early age. She finds love with Mary Llewellyn, whom she meets while serving as an ambulance driver in World War I, but their happiness together is marred by social isolation and rejection, which Hall depicts as having a debilitating effect on inverts. The novel portrays inversion as a natural, God-given state and makes an explicit plea: &quot;Give us also the right to our existence&quot;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&lt;/ins&gt;The Well of Loneliness&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039; &lt;/ins&gt;is a 1928 lesbian novel by the British author &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;Radclyffe Hall&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;. It follows the life of Stephen Gordon, an Englishwoman from an upper-class family whose &quot;sexual inversion&quot; (that is, homosexuality) is apparent from an early age. She finds love with Mary Llewellyn, whom she meets while serving as an ambulance driver in World War I, but their happiness together is marred by social isolation and rejection, which Hall depicts as having a debilitating effect on inverts. The novel portrays inversion as a natural, God-given state and makes an explicit plea: &quot;Give us also the right to our existence&quot;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Well became the target of a campaign by James Douglas, editor of the Sunday Express newspaper, who wrote &quot;I would rather give a healthy boy or a healthy girl a phial of prussic acid than this novel.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot; &lt;/del&gt;Although its only sexual reference consists of the words &quot;and that night, they were not divided&quot;, a British court judged it obscene because it defended &quot;unnatural practices between women&quot;. In the United States the book survived legal challenges in New York state and in Customs Court.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Well became the target of a campaign by James Douglas, editor of the Sunday Express newspaper, who wrote&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;&quot;I would rather give a healthy boy or a healthy girl a phial of prussic acid than this novel&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;&#039;&#039;&lt;/ins&gt;. Although its only sexual reference consists of the words &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;&quot;and that night, they were not divided&quot;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;, a British court judged it obscene because it defended &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;&quot;unnatural practices between women&quot;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;. In the United States the book survived legal challenges in New York state and in Customs Court.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Publicity over The Well&#039;s legal battles increased the visibility of lesbians in British and American culture.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[4] &lt;/del&gt;For decades it was the best-known lesbian novel in English, and often the first source of information about lesbianism that young people could find. Some readers have valued it, while others have &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;criticized &lt;/del&gt;it for Stephen&#039;s expressions of self-hatred and seen it as inspiring shame. Its role in promoting images of lesbians as &quot;mannish&quot; or cross-dressed women has also been controversial. Some critics now argue that Stephen should be seen as &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;transsexual&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Publicity over The Well&#039;s legal battles increased the visibility of lesbians in British and American culture. For decades it was the best-known lesbian novel in English, and often the first source of information about lesbianism that young people could find. Some readers have valued it, while others have &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;criticised &lt;/ins&gt;it for Stephen&#039;s expressions of self-hatred and seen it as inspiring shame. Its role in promoting images of lesbians as &quot;mannish&quot; or cross-dressed women has also been controversial. Some critics now argue that Stephen should be seen as &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;transgender&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Although few critics rate The Well highly as a work of literature, its treatment of sexuality and gender continues to inspire study and debate.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Although few critics rate The Well highly as a work of literature, its treatment of sexuality and gender continues to inspire study and debate.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>LGBT-HP</name></author>
	</entry>
	<entry>
		<id>https://lgbthistoryuk.org/index.php?title=The_Well_of_Loneliness&amp;diff=1973&amp;oldid=prev</id>
		<title>LGBT-HP: Created page with &quot;The Well of Loneliness is a 1928 lesbian novel by the British author Radclyffe Hall. It follows the life of Stephen Gordon, an Englishwoman from an upper-class family whose &quot;sexu...&quot;</title>
		<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=The_Well_of_Loneliness&amp;diff=1973&amp;oldid=prev"/>
		<updated>2011-11-15T16:50:28Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;The Well of Loneliness is a 1928 lesbian novel by the British author Radclyffe Hall. It follows the life of Stephen Gordon, an Englishwoman from an upper-class family whose &amp;quot;sexu...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;The Well of Loneliness is a 1928 lesbian novel by the British author Radclyffe Hall. It follows the life of Stephen Gordon, an Englishwoman from an upper-class family whose &amp;quot;sexual inversion&amp;quot; (that is, homosexuality) is apparent from an early age. She finds love with Mary Llewellyn, whom she meets while serving as an ambulance driver in World War I, but their happiness together is marred by social isolation and rejection, which Hall depicts as having a debilitating effect on inverts. The novel portrays inversion as a natural, God-given state and makes an explicit plea: &amp;quot;Give us also the right to our existence&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
The Well became the target of a campaign by James Douglas, editor of the Sunday Express newspaper, who wrote &amp;quot;I would rather give a healthy boy or a healthy girl a phial of prussic acid than this novel.&amp;quot; Although its only sexual reference consists of the words &amp;quot;and that night, they were not divided&amp;quot;, a British court judged it obscene because it defended &amp;quot;unnatural practices between women&amp;quot;. In the United States the book survived legal challenges in New York state and in Customs Court.&lt;br /&gt;
&lt;br /&gt;
Publicity over The Well&amp;#039;s legal battles increased the visibility of lesbians in British and American culture.[4] For decades it was the best-known lesbian novel in English, and often the first source of information about lesbianism that young people could find. Some readers have valued it, while others have criticized it for Stephen&amp;#039;s expressions of self-hatred and seen it as inspiring shame. Its role in promoting images of lesbians as &amp;quot;mannish&amp;quot; or cross-dressed women has also been controversial. Some critics now argue that Stephen should be seen as transsexual.&lt;br /&gt;
&lt;br /&gt;
Although few critics rate The Well highly as a work of literature, its treatment of sexuality and gender continues to inspire study and debate.&lt;/div&gt;</summary>
		<author><name>LGBT-HP</name></author>
	</entry>
</feed>