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	<id>https://lgbthistoryuk.org/index.php?action=history&amp;feed=atom&amp;title=Richard_Thomas</id>
	<title>Richard Thomas - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://lgbthistoryuk.org/index.php?action=history&amp;feed=atom&amp;title=Richard_Thomas"/>
	<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=Richard_Thomas&amp;action=history"/>
	<updated>2026-07-14T12:04:51Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.45.1</generator>
	<entry>
		<id>https://lgbthistoryuk.org/index.php?title=Richard_Thomas&amp;diff=54846&amp;oldid=prev</id>
		<title>LGBT-HP: Fix bare &lt;references&gt; tag: MW 1.45.1 Cite requires self-closing &lt;references/&gt;</title>
		<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=Richard_Thomas&amp;diff=54846&amp;oldid=prev"/>
		<updated>2026-07-10T13:10:08Z</updated>

		<summary type="html">&lt;p&gt;Fix bare &amp;lt;references&amp;gt; tag: MW 1.45.1 Cite requires self-closing &amp;lt;references/&amp;gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:10, 10 July 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l13&quot;&gt;Line 13:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 13:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;/&lt;/ins&gt;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1964 births]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1964 births]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Living people]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Living people]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Composers]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Composers]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>LGBT-HP</name></author>
	</entry>
	<entry>
		<id>https://lgbthistoryuk.org/index.php?title=Richard_Thomas&amp;diff=23883&amp;oldid=prev</id>
		<title>Ross Burgess at 15:16, 20 January 2014</title>
		<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=Richard_Thomas&amp;diff=23883&amp;oldid=prev"/>
		<updated>2014-01-20T15:16:19Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:16, 20 January 2014&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Richard Thomas.jpg|thumb|Richard Thomas]]&amp;#039;&amp;#039;&amp;#039;Richard Thomas&amp;#039;&amp;#039;&amp;#039; (born 1964) is a gay musician, writer, and comedy actor. He is best known for composing the award-winning &amp;#039;&amp;#039;Jerry Springer: The Opera&amp;#039;&amp;#039; with Stewart Lee.&amp;lt;ref&amp;gt;http://www.guardian.co.uk/music/2003/nov/11/classicalmusicandopera3 Maddy Costa, &amp;quot;Jerry Springer the Opera&amp;quot; &amp;#039;&amp;#039;The Guardian&amp;#039;&amp;#039; 11 November 2003&amp;lt;/ref&amp;gt; Thomas collected the Laurence Olivier Award for Best Musical Score in 2004.&amp;lt;ref&amp;gt;http://www.olivierawards.com/about/previous-winners/view/item98547/Olivier-Winners-2004/ &amp;quot;Olivier Winners 2004&amp;quot;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Richard Thomas.jpg|thumb|Richard Thomas]]&amp;#039;&amp;#039;&amp;#039;Richard Thomas&amp;#039;&amp;#039;&amp;#039; (born 1964) is a gay musician, writer, and comedy actor. He is best known for composing the award-winning &amp;#039;&amp;#039;Jerry Springer: The Opera&amp;#039;&amp;#039; with Stewart Lee.&amp;lt;ref&amp;gt;http://www.guardian.co.uk/music/2003/nov/11/classicalmusicandopera3 Maddy Costa, &amp;quot;Jerry Springer the Opera&amp;quot; &amp;#039;&amp;#039;The Guardian&amp;#039;&amp;#039; 11 November 2003&amp;lt;/ref&amp;gt; Thomas collected the Laurence Olivier Award for Best Musical Score in 2004.&amp;lt;ref&amp;gt;http://www.olivierawards.com/about/previous-winners/view/item98547/Olivier-Winners-2004/ &amp;quot;Olivier Winners 2004&amp;quot;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Richard Thomas&#039;s comedy career began in 1987, doing a musical act on keyboards. In 2000, he wrote and performed a one-act opera called &#039;&#039;Tourette’s Diva&#039;&#039; with four actors, which aired at the [[Edinburgh Festival Fringe&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/del&gt;. Thomas had the idea for an opera based on Jerry Springer at this time, and wrote it over the next two years, chiefly in workshops at [[Battersea Arts Centre&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/del&gt;. Thomas would offer a &quot;Beer for an Idea&quot;, where any audience members submitting a good idea would be rewarded with a can of Foster&#039;s (and poor ideas with a supermarket store brand).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Richard Thomas&#039;s comedy career began in 1987, doing a musical act on keyboards. In 2000, he wrote and performed a one-act opera called &#039;&#039;Tourette’s Diva&#039;&#039; with four actors, which aired at the [[Edinburgh&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;Festival Fringe. Thomas had the idea for an opera based on Jerry Springer at this time, and wrote it over the next two years, chiefly in workshops at [[Battersea&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;Arts Centre. Thomas would offer a &quot;Beer for an Idea&quot;, where any audience members submitting a good idea would be rewarded with a can of Foster&#039;s (and poor ideas with a supermarket store brand).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After a number of small scale performances of the first act, which was in much the same shape as it remains today, the second act (where the characters descend into hell) was vague and unformed. Thomas brought his friend Stewart Lee in to assist with the writing. Six months later, the opera was in a far more recognisable state, and was snapped up by the National Theatre.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After a number of small scale performances of the first act, which was in much the same shape as it remains today, the second act (where the characters descend into hell) was vague and unformed. Thomas brought his friend Stewart Lee in to assist with the writing. Six months later, the opera was in a far more recognisable state, and was snapped up by the National Theatre.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ross Burgess</name></author>
	</entry>
	<entry>
		<id>https://lgbthistoryuk.org/index.php?title=Richard_Thomas&amp;diff=23882&amp;oldid=prev</id>
		<title>Ross Burgess at 15:14, 20 January 2014</title>
		<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=Richard_Thomas&amp;diff=23882&amp;oldid=prev"/>
		<updated>2014-01-20T15:14:06Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:14, 20 January 2014&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Richard Thomas&#039;&#039;&#039; (born 1964) is a musician, writer, and comedy actor&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]&lt;/del&gt;. He is best known for composing the award-winning &#039;&#039;Jerry Springer: The Opera&#039;&#039; with Stewart Lee.&amp;lt;ref&amp;gt;http://www.guardian.co.uk/music/2003/nov/11/classicalmusicandopera3 Maddy Costa, &quot;Jerry Springer the Opera&quot; &#039;&#039;The Guardian&#039;&#039; 11 November 2003&amp;lt;/ref&amp;gt; Thomas collected the Laurence Olivier Award for Best Musical Score in 2004.&amp;lt;ref&amp;gt;http://www.olivierawards.com/about/previous-winners/view/item98547/Olivier-Winners-2004/ &quot;Olivier Winners 2004&quot;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[File:Richard Thomas.jpg|thumb|Richard Thomas]]&lt;/ins&gt;&#039;&#039;&#039;Richard Thomas&#039;&#039;&#039; (born 1964) is a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;gay &lt;/ins&gt;musician, writer, and comedy actor. He is best known for composing the award-winning &#039;&#039;Jerry Springer: The Opera&#039;&#039; with Stewart Lee.&amp;lt;ref&amp;gt;http://www.guardian.co.uk/music/2003/nov/11/classicalmusicandopera3 Maddy Costa, &quot;Jerry Springer the Opera&quot; &#039;&#039;The Guardian&#039;&#039; 11 November 2003&amp;lt;/ref&amp;gt; Thomas collected the Laurence Olivier Award for Best Musical Score in 2004.&amp;lt;ref&amp;gt;http://www.olivierawards.com/about/previous-winners/view/item98547/Olivier-Winners-2004/ &quot;Olivier Winners 2004&quot;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Richard Thomas&#039;s comedy career began in 1987, doing a musical act on keyboards. In 2000, he wrote and performed a one-act opera called &#039;&#039;Tourette’s Diva&#039;&#039; with four actors, which aired at the [[Edinburgh Festival Fringe]]. Thomas had the idea for an opera based on Jerry Springer at this time, and wrote it over the next two years, chiefly in workshops at [[Battersea Arts Centre]]. Thomas would offer a &quot;Beer for an Idea&quot;, where any audience members submitting a good idea would be rewarded with a can of Foster&#039;s (and poor ideas with a &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;supermarket&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] [[&lt;/del&gt;store brand&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/del&gt;).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Richard Thomas&#039;s comedy career began in 1987, doing a musical act on keyboards. In 2000, he wrote and performed a one-act opera called &#039;&#039;Tourette’s Diva&#039;&#039; with four actors, which aired at the [[Edinburgh Festival Fringe]]. Thomas had the idea for an opera based on Jerry Springer at this time, and wrote it over the next two years, chiefly in workshops at [[Battersea Arts Centre]]. Thomas would offer a &quot;Beer for an Idea&quot;, where any audience members submitting a good idea would be rewarded with a can of Foster&#039;s (and poor ideas with a supermarket store brand).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After a number of small scale performances of the first act, which was in much the same shape as it remains today, the second act (where the characters descend into hell) was vague and unformed. Thomas brought his friend Stewart Lee in to assist with the writing. Six months later, the opera was in a far more recognisable state, and was snapped up by the National Theatre.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After a number of small scale performances of the first act, which was in much the same shape as it remains today, the second act (where the characters descend into hell) was vague and unformed. Thomas brought his friend Stewart Lee in to assist with the writing. Six months later, the opera was in a far more recognisable state, and was snapped up by the National Theatre.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Thomas has also worked on &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;BBC&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/del&gt;comedy shows such as &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;Attention Scum&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/del&gt;&#039;&#039; and &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;This Morning with Richard Not Judy&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/del&gt;&#039;&#039;. Starting on 25 February 2007, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;BBC Two&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/del&gt;aired his &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;latest &lt;/del&gt;series, &#039;&#039;Kombat Opera&#039;&#039;, comprising five standalone musical parodies of well-known television programmes.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Thomas has also worked on BBC comedy shows such as &#039;&#039;Attention Scum&#039;&#039; and &#039;&#039;This Morning with Richard Not Judy&#039;&#039;. Starting on 25 February 2007, BBC Two aired his series, &#039;&#039;Kombat Opera&#039;&#039;, comprising five standalone musical parodies of well-known television programmes.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Thomas wrote the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;libretto&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/del&gt;for &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;Mark-Anthony Turnage&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/del&gt;&#039;s 2011 opera &#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/del&gt;Anna Nicole&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/del&gt;&#039;&#039;,&amp;lt;ref&amp;gt;http://www.guardian.co.uk/music/2011/jan/22/mark-anthony-turnage-opera-composer &quot;Mark-Anthony Turnage: A life in music&quot; Nicholas Wroe &#039;&#039;The Guardian&#039;&#039; 22 January 2011&amp;lt;/ref&amp;gt; and co-wrote music for the 2010 film &#039;&#039;[[Uncle David]]&#039;&#039; as a part of the Avant-Garde Alliance.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Thomas wrote the libretto for Mark-Anthony Turnage&#039;s 2011 opera &#039;&#039;Anna Nicole&#039;&#039;,&amp;lt;ref&amp;gt;http://www.guardian.co.uk/music/2011/jan/22/mark-anthony-turnage-opera-composer &quot;Mark-Anthony Turnage: A life in music&quot; Nicholas Wroe &#039;&#039;The Guardian&#039;&#039; 22 January 2011&amp;lt;/ref&amp;gt; and co-wrote music for the 2010 film &#039;&#039;[[Uncle David]]&#039;&#039; as a part of the Avant-Garde Alliance.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[&lt;/del&gt;http://www.nationaltheatre.org.uk/?lid=7662 Interview with Stewart Lee and Richard Thomas&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*http://www.nationaltheatre.org.uk/?lid=7662 Interview with Stewart Lee and Richard Thomas&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:1964 births]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Living people]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Composers]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ross Burgess</name></author>
	</entry>
	<entry>
		<id>https://lgbthistoryuk.org/index.php?title=Richard_Thomas&amp;diff=23879&amp;oldid=prev</id>
		<title>Ross Burgess: Created page with &quot;&#039;&#039;&#039;Richard Thomas&#039;&#039;&#039; (born 1964) is a musician, writer, and comedy actor]. He is best known for composing the award-winning &#039;&#039;Jerry Springer: The Opera&#039;&#039; with Stewart Lee.&lt;ref...&quot;</title>
		<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=Richard_Thomas&amp;diff=23879&amp;oldid=prev"/>
		<updated>2014-01-20T14:03:28Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;&amp;#039;&amp;#039;&amp;#039;Richard Thomas&amp;#039;&amp;#039;&amp;#039; (born 1964) is a musician, writer, and comedy actor]. He is best known for composing the award-winning &amp;#039;&amp;#039;Jerry Springer: The Opera&amp;#039;&amp;#039; with Stewart Lee.&amp;lt;ref...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Richard Thomas&amp;#039;&amp;#039;&amp;#039; (born 1964) is a musician, writer, and comedy actor]. He is best known for composing the award-winning &amp;#039;&amp;#039;Jerry Springer: The Opera&amp;#039;&amp;#039; with Stewart Lee.&amp;lt;ref&amp;gt;http://www.guardian.co.uk/music/2003/nov/11/classicalmusicandopera3 Maddy Costa, &amp;quot;Jerry Springer the Opera&amp;quot; &amp;#039;&amp;#039;The Guardian&amp;#039;&amp;#039; 11 November 2003&amp;lt;/ref&amp;gt; Thomas collected the Laurence Olivier Award for Best Musical Score in 2004.&amp;lt;ref&amp;gt;http://www.olivierawards.com/about/previous-winners/view/item98547/Olivier-Winners-2004/ &amp;quot;Olivier Winners 2004&amp;quot;&amp;lt;/ref&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Richard Thomas&amp;#039;s comedy career began in 1987, doing a musical act on keyboards. In 2000, he wrote and performed a one-act opera called &amp;#039;&amp;#039;Tourette’s Diva&amp;#039;&amp;#039; with four actors, which aired at the [[Edinburgh Festival Fringe]]. Thomas had the idea for an opera based on Jerry Springer at this time, and wrote it over the next two years, chiefly in workshops at [[Battersea Arts Centre]]. Thomas would offer a &amp;quot;Beer for an Idea&amp;quot;, where any audience members submitting a good idea would be rewarded with a can of Foster&amp;#039;s (and poor ideas with a [[supermarket]] [[store brand]]).&lt;br /&gt;
&lt;br /&gt;
After a number of small scale performances of the first act, which was in much the same shape as it remains today, the second act (where the characters descend into hell) was vague and unformed. Thomas brought his friend Stewart Lee in to assist with the writing. Six months later, the opera was in a far more recognisable state, and was snapped up by the National Theatre.&lt;br /&gt;
&lt;br /&gt;
Thomas has also worked on [[BBC]] comedy shows such as &amp;#039;&amp;#039;[[Attention Scum]]&amp;#039;&amp;#039; and &amp;#039;&amp;#039;[[This Morning with Richard Not Judy]]&amp;#039;&amp;#039;. Starting on 25 February 2007, [[BBC Two]] aired his latest series, &amp;#039;&amp;#039;Kombat Opera&amp;#039;&amp;#039;, comprising five standalone musical parodies of well-known television programmes.&lt;br /&gt;
&lt;br /&gt;
Thomas wrote the [[libretto]] for [[Mark-Anthony Turnage]]&amp;#039;s 2011 opera &amp;#039;&amp;#039;[[Anna Nicole]]&amp;#039;&amp;#039;,&amp;lt;ref&amp;gt;http://www.guardian.co.uk/music/2011/jan/22/mark-anthony-turnage-opera-composer &amp;quot;Mark-Anthony Turnage: A life in music&amp;quot; Nicholas Wroe &amp;#039;&amp;#039;The Guardian&amp;#039;&amp;#039; 22 January 2011&amp;lt;/ref&amp;gt; and co-wrote music for the 2010 film &amp;#039;&amp;#039;[[Uncle David]]&amp;#039;&amp;#039; as a part of the Avant-Garde Alliance.&lt;br /&gt;
&lt;br /&gt;
==External links==&lt;br /&gt;
*[http://www.nationaltheatre.org.uk/?lid=7662 Interview with Stewart Lee and Richard Thomas]&lt;br /&gt;
&lt;br /&gt;
==References==&lt;br /&gt;
&amp;lt;references&amp;gt;&lt;/div&gt;</summary>
		<author><name>Ross Burgess</name></author>
	</entry>
</feed>