Ethel Walker - Revision history

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	[[Category:Painters]]		[[Category:Painters]]

Ross Burgess at 10:18, 31 December 2013

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	[[File:Ethel Walker.jpg\|thumb\|Self-portrait]]'''Dame Ethel Walker''' (~~1861–1951~~) was a painter, best known for her portraits of the female form.		[[File:Ethel Walker.jpg\|thumb\|Self-portrait]]'''Dame Ethel Walker''' (1861–1951) was a painter, best known for her portraits of the female form.

	She was born in [[Edinburgh]] but educated in [[London]]. In 1880 she met fellow artist [[Clara Christian]], and the two women began living, working and studying together.<ref>T W Earp and others, ''Ethel Walker, Frances Hodgkins, and Gwen John: A Memorial Exhibition'' ( London: Arts Council of Great Britain, 1952)</ref>		She was born in [[Edinburgh]] but educated in [[London]]. In 1880 she met fellow artist [[Clara Christian]], and the two women began living, working and studying together.<ref>T W Earp and others, ''Ethel Walker, Frances Hodgkins, and Gwen John: A Memorial Exhibition'' ( London: Arts Council of Great Britain, 1952)</ref>
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Ross Burgess at 23:48, 27 November 2013

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	'''Dame Ethel Walker''' (1861–1951) was a painter, best known for her portraits of the female form.		[[File:Ethel Walker.jpg\|thumb\|Self-portrait]]'''Dame Ethel Walker''' (1861–1951) was a painter, best known for her portraits of the female form.

	She was born in [[Edinburgh]] but educated in [[London]]. In 1880 she met fellow artist [[Clara Christian]], and the two women began living, working and studying together.<ref>T W Earp and others, ''Ethel Walker, Frances Hodgkins, and Gwen John: A Memorial Exhibition'' ( London: Arts Council of Great Britain, 1952)</ref>		She was born in [[Edinburgh]] but educated in [[London]]. In 1880 she met fellow artist [[Clara Christian]], and the two women began living, working and studying together.<ref>T W Earp and others, ''Ethel Walker, Frances Hodgkins, and Gwen John: A Memorial Exhibition'' ( London: Arts Council of Great Britain, 1952)</ref>

Ross Burgess at 10:22, 2 November 2013

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References

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Ross Burgess at 13:49, 27 April 2013

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	Walker was a supporter of the natural female form, often publicly rebuking other women for wearing makeup and heavy clothing that hid their form. Her models were never allowed to wear makeup, lipstick, or nail polish during sittings. In ''Invocation'', considered her most detailed piece, Walker used 25 female models, all either scantly clad or nude, kneeling around three female models wearing sheer cloth<ref>http://www.glbtq.com/arts/walker_e.html "Ethel Walker" in the ''[[glbtq Encyclopedia]]''</ref>. Birds are depicted fluttering overhead.		Walker was a supporter of the natural female form, often publicly rebuking other women for wearing makeup and heavy clothing that hid their form. Her models were never allowed to wear makeup, lipstick, or nail polish during sittings. In ''Invocation'', considered her most detailed piece, Walker used 25 female models, all either scantly clad or nude, kneeling around three female models wearing sheer cloth<ref>http://www.glbtq.com/arts/walker_e.html "Ethel Walker" in the ''[[glbtq Encyclopedia]]''</ref>. Birds are depicted fluttering overhead.

			She was appointed a Dame of the British Empire (DBE) in 1943.

	==References==		==References==

Ross Burgess at 13:42, 27 April 2013

2013-04-27T13:42:46Z

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	'''Dame Ethel Walker''' (1861–1951) was a painter, best known for her portraits of the female form.		'''Dame Ethel Walker''' (1861–1951) was a painter, best known for her portraits of the female form.

	She was born in [[Edinburgh]] but educated in [[London]]. In 1880 she met fellow artist [[Clara Christian]], and the two women began living, working and studying together.<ref>T W Earp and others, "Ethel Walker, Frances Hodgkins, and Gwen John: A Memorial Exhibition" ( London: Arts Council of Great Britain, 1952)</ref>		She was born in [[Edinburgh]] but educated in [[London]]. In 1880 she met fellow artist [[Clara Christian]], and the two women began living, working and studying together.<ref>T W Earp and others, ''Ethel Walker, Frances Hodgkins, and Gwen John: A Memorial Exhibition'' ( London: Arts Council of Great Britain, 1952)</ref>

	Walker was a supporter of the natural female form, often publicly rebuking other women for wearing makeup and heavy clothing that hid their form. Her models were never allowed to wear makeup, lipstick, or nail polish during sittings. In ~~one piece, titled~~ ''Invocation'', considered her most detailed piece, Walker used 25 female models, all either scantly clad or nude, kneeling around 3 female models ~~who are~~ wearing sheer cloth<ref>http://www.glbtq.com/arts/walker_e.html "Ethel Walker" in the ''[[~~GLBTQ Encylopedia~~]]''</ref>. Birds are depicted fluttering overhead.		Walker was a supporter of the natural female form, often publicly rebuking other women for wearing makeup and heavy clothing that hid their form. Her models were never allowed to wear makeup, lipstick, or nail polish during sittings. In ''Invocation'', considered her most detailed piece, Walker used 25 female models, all either scantly clad or nude, kneeling around three female models wearing sheer cloth<ref>http://www.glbtq.com/arts/walker_e.html "Ethel Walker" in the ''[[glbtq Encyclopedia]]''</ref>. Birds are depicted fluttering overhead.

	==References==		==References==

Ross Burgess at 13:40, 27 April 2013

2013-04-27T13:40:05Z

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	She was born in [[Edinburgh]] but educated in [[London]]. In 1880 she met fellow artist [[Clara Christian]], and the two women began living, working and studying together.<ref>T W Earp and others, "Ethel Walker, Frances Hodgkins, and Gwen John: A Memorial Exhibition" ( London: Arts Council of Great Britain, 1952)</ref>		She was born in [[Edinburgh]] but educated in [[London]]. In 1880 she met fellow artist [[Clara Christian]], and the two women began living, working and studying together.<ref>T W Earp and others, "Ethel Walker, Frances Hodgkins, and Gwen John: A Memorial Exhibition" ( London: Arts Council of Great Britain, 1952)</ref>

	Walker was a supporter of the natural female form, often publicly rebuking other women for wearing makeup and heavy clothing that hid their form. Her models were never allowed to wear makeup, lipstick, or nail polish during sittings. In one piece, titled ''Invocation'', considered her most detailed piece, Walker used 25 female models, all either scantly clad or nude, kneeling around 3 female models who are wearing sheer cloth<ref>http://www.glbtq.com/arts/walker_e.html "~~Thel~~ Walker" in the [[GLBTQ Encylopedia]]</ref>. Birds are depicted fluttering overhead.		Walker was a supporter of the natural female form, often publicly rebuking other women for wearing makeup and heavy clothing that hid their form. Her models were never allowed to wear makeup, lipstick, or nail polish during sittings. In one piece, titled ''Invocation'', considered her most detailed piece, Walker used 25 female models, all either scantly clad or nude, kneeling around 3 female models who are wearing sheer cloth<ref>http://www.glbtq.com/arts/walker_e.html "Ethel Walker" in the ''[[GLBTQ Encylopedia]]''</ref>. Birds are depicted fluttering overhead.

	==References==		==References==

Ross Burgess at 13:38, 27 April 2013

2013-04-27T13:38:26Z

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	She was born in [[Edinburgh]] but educated in [[London]]. In 1880 she met fellow artist [[Clara Christian]], and the two women began living, working and studying together.<ref>T W Earp and others, "Ethel Walker, Frances Hodgkins, and Gwen John: A Memorial Exhibition" ( London: Arts Council of Great Britain, 1952)</ref>		She was born in [[Edinburgh]] but educated in [[London]]. In 1880 she met fellow artist [[Clara Christian]], and the two women began living, working and studying together.<ref>T W Earp and others, "Ethel Walker, Frances Hodgkins, and Gwen John: A Memorial Exhibition" ( London: Arts Council of Great Britain, 1952)</ref>

	Walker was a supporter of the natural female form, often publicly rebuking other women for wearing makeup and heavy clothing that hid their form. Her models were never allowed to wear makeup, lipstick, or nail polish during sittings. In one piece, titled ''Invocation'', considered her most detailed piece, Walker used 25 female models, all either scantly clad or nude, kneeling around 3 female models who are wearing sheer cloth<ref>http://www.glbtq.com/arts/walker_e.html</ref>. Birds are depicted fluttering overhead.		Walker was a supporter of the natural female form, often publicly rebuking other women for wearing makeup and heavy clothing that hid their form. Her models were never allowed to wear makeup, lipstick, or nail polish during sittings. In one piece, titled ''Invocation'', considered her most detailed piece, Walker used 25 female models, all either scantly clad or nude, kneeling around 3 female models who are wearing sheer cloth<ref>http://www.glbtq.com/arts/walker_e.html "Thel Walker" in the [[GLBTQ Encylopedia]]</ref>. Birds are depicted fluttering overhead.

	==References==		==References==

Ross Burgess at 13:37, 27 April 2013

2013-04-27T13:37:04Z

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	She was born in [[Edinburgh]] but educated in [[London]]. In 1880 she met fellow artist [[Clara Christian]], and the two women began living, working and studying together.<ref>T W Earp and others, "Ethel Walker, Frances Hodgkins, and Gwen John: A Memorial Exhibition" ( London: Arts Council of Great Britain, 1952)</ref>		She was born in [[Edinburgh]] but educated in [[London]]. In 1880 she met fellow artist [[Clara Christian]], and the two women began living, working and studying together.<ref>T W Earp and others, "Ethel Walker, Frances Hodgkins, and Gwen John: A Memorial Exhibition" ( London: Arts Council of Great Britain, 1952)</ref>

	Walker was a supporter of the natural female form, often publicly rebuking other women for wearing makeup and heavy clothing that hid their form. Her models were never allowed to wear makeup, lipstick, or nail polish during sittings. In one piece, titled ''Invocation'', Walker used 25 female models, all either scantly clad or nude, kneeling around 3 female models who are wearing sheer cloth<ref>http://www.glbtq.com/arts/walker_e.html</ref>. Birds are depicted fluttering overhead in the painting. It is considered her most detailed piece <ref>http://www.bridgeman.co.uk/search/r_results.asp?artist=Ethel+Walker&nationality=&title=&century=&location=&keywords=&image_no=&prefix=&drawer=&medium=&order=5&page=&view=2]</ref>.		Walker was a supporter of the natural female form, often publicly rebuking other women for wearing makeup and heavy clothing that hid their form. Her models were never allowed to wear makeup, lipstick, or nail polish during sittings. In one piece, titled ''Invocation'', considered her most detailed piece, Walker used 25 female models, all either scantly clad or nude, kneeling around 3 female models who are wearing sheer cloth<ref>http://www.glbtq.com/arts/walker_e.html</ref>. Birds are depicted fluttering overhead.

	==References==		==References==