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	<id>https://lgbthistoryuk.org/index.php?action=history&amp;feed=atom&amp;title=Charles_Kains_Jackson</id>
	<title>Charles Kains Jackson - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://lgbthistoryuk.org/index.php?action=history&amp;feed=atom&amp;title=Charles_Kains_Jackson"/>
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	<updated>2026-07-15T07:10:57Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://lgbthistoryuk.org/index.php?title=Charles_Kains_Jackson&amp;diff=47846&amp;oldid=prev</id>
		<title>Wessexman at 10:55, 11 July 2023</title>
		<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=Charles_Kains_Jackson&amp;diff=47846&amp;oldid=prev"/>
		<updated>2023-07-11T10:55:50Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:55, 11 July 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Charles Kains Jackson&amp;#039;&amp;#039;&amp;#039; (Charles Philip Castle Kains Jackson, 1857-1933) was an English lawyer and poet, closely associated with the [[Uranian school]] of poetry.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Charles Kains Jackson&amp;#039;&amp;#039;&amp;#039; (Charles Philip Castle Kains Jackson, 1857-1933) was an English lawyer and poet, closely associated with the [[Uranian school]] of poetry.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From 1888 to 1894 he edited the periodical &#039;&#039;[[The Artist and Journal of Home Culture]]&#039;&#039;, which became something of an official periodical for the movement. In it, he praised such artists as [[Henry Scott Tuke]] (to whom he dedicated a homo-erotic sonnet entitled &quot;Sonnet on a picture by Tuke&quot;) and [[Henry Oliver Walker]]. He also befriended such similar-minded contemporaries as [[Frederick William Rolfe]], [[Lord Alfred Douglas]] and [[John Addington Symonds]].&amp;lt;ref&amp;gt;Aldrich, Robert and Garry Wotherspoon (eds): &#039;&#039;Who&#039;s Who in Contemporary Gay and Lesbian History: From World War II to the Present Day&#039;&#039;, page 236. Routledge, 2001&amp;lt;/ref&amp;gt;. He discretely solicited and surreptitiously printed works that had little to do with the magazine&#039;s ostensible concern. The last issue he was to edit included his &quot;The New Chivalry&quot; essay about the social potential of boy-love &amp;lt;ref&amp;gt; https://web.archive.org/web/20070202090519/http://andrejkoymasky.com/liv/fam/biok1/kain2.html (retrieved 11 July 2023) &amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From 1888 to 1894 he edited the periodical &#039;&#039;[[The Artist and Journal of Home Culture]]&#039;&#039;, which became something of an official periodical for the movement. In it, he praised such artists as [[Henry Scott Tuke]] (to whom he dedicated a homo-erotic sonnet entitled &quot;Sonnet on a picture by Tuke&quot;) and [[Henry Oliver Walker]]. He also befriended such similar-minded contemporaries as [[Frederick William Rolfe]], [[Lord Alfred Douglas]] and [[John Addington Symonds]].&amp;lt;ref&amp;gt;Aldrich, Robert and Garry Wotherspoon (eds): &#039;&#039;Who&#039;s Who in Contemporary Gay and Lesbian History: From World War II to the Present Day&#039;&#039;, page 236. Routledge, 2001&amp;lt;/ref&amp;gt;. He discretely solicited and surreptitiously printed works that had little to do with the magazine&#039;s ostensible concern. The last issue he was to edit included his &quot;The New Chivalry&quot; essay about the social potential of boy-love &amp;lt;ref&amp;gt; https://web.archive.org/web/20070202090519/http://andrejkoymasky.com/liv/fam/biok1/kain2.html (retrieved 11 July 2023) &amp;lt;/ref&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. The New Chivalry was an argument for the moral and societal benefits of pederasty and erotic male friendship &amp;lt;ref&amp;gt;Allen J Frantzen: &#039;&#039;Bloody Good: chivalry, sacrifice, and the Great War&#039;&#039;, page 145. University of Chicago Press, 2003&amp;lt;/ref&amp;gt;. According to Kains Jackson, the New Chivalry would promote &quot;the youthful masculine ideal&quot; over the Old Chivalry&#039;s emphasis on the feminine. Jackson&#039;s volumes of poetry include &#039;&#039;Finibus Cantat Amor&#039;&#039; (1922) and &#039;&#039;Lysis&#039;&#039; (1924).&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The homosexual and pederastic aspects of &#039;&#039;The Artist and Journal of Home Culture&#039;&#039; declined after the replacement of Kains Jackson as an editor in 1894&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. The final issue edited by Kains Jackson included his essay &#039;&#039;the New Chivalry&#039;&#039;, an argument for the moral and societal benefits of pederasty and erotic male friendship .&amp;lt;ref&amp;gt;Allen J Frantzen: &#039;&#039;Bloody Good: chivalry, sacrifice, and the Great War&#039;&#039;, page 145. University of Chicago Press, 2003&amp;lt;/ref&amp;gt; According to Kains Jackson, the New Chivalry would promote &quot;the youthful masculine ideal&quot; over the Old Chivalry&#039;s emphasis on the feminine. Jackson&#039;s volumes of poetry include &#039;&#039;Finibus Cantat Amor&#039;&#039; (1922) and &#039;&#039;Lysis&#039;&#039; (1924)&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The homosexual and pederastic aspects of &#039;&#039;The Artist and Journal of Home Culture&#039;&#039; declined after the replacement of Kains Jackson as an editor in 1894.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kains Jackson was a member of the [[Order of Chaeronea]], a gay secret society founded in 1897 by [[George Ives]].&amp;lt;ref&amp;gt;https://web.archive.org/web/20080107054304/http://www.knittingcircle.org.uk/georgeives.html [[The Knitting Circle]]: &amp;quot;George Ives&amp;quot;.&amp;lt;/ref&amp;gt; Other members included [[Samuel Elsworth Cottam]], [[Montague Summers]], and [[John Gambril Nicholson]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kains Jackson was a member of the [[Order of Chaeronea]], a gay secret society founded in 1897 by [[George Ives]].&amp;lt;ref&amp;gt;https://web.archive.org/web/20080107054304/http://www.knittingcircle.org.uk/georgeives.html [[The Knitting Circle]]: &amp;quot;George Ives&amp;quot;.&amp;lt;/ref&amp;gt; Other members included [[Samuel Elsworth Cottam]], [[Montague Summers]], and [[John Gambril Nicholson]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Wessexman</name></author>
	</entry>
	<entry>
		<id>https://lgbthistoryuk.org/index.php?title=Charles_Kains_Jackson&amp;diff=47845&amp;oldid=prev</id>
		<title>Wessexman: The New Chivalry essay</title>
		<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=Charles_Kains_Jackson&amp;diff=47845&amp;oldid=prev"/>
		<updated>2023-07-11T10:53:58Z</updated>

		<summary type="html">&lt;p&gt;The New Chivalry essay&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:53, 11 July 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Charles Kains Jackson&amp;#039;&amp;#039;&amp;#039; (Charles Philip Castle Kains Jackson, 1857-1933) was an English lawyer and poet, closely associated with the [[Uranian school]] of poetry.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Charles Kains Jackson&amp;#039;&amp;#039;&amp;#039; (Charles Philip Castle Kains Jackson, 1857-1933) was an English lawyer and poet, closely associated with the [[Uranian school]] of poetry.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From 1888 to 1894 he edited the periodical &#039;&#039;[[The Artist and Journal of Home Culture]]&#039;&#039;, which became something of an official periodical for the movement. In it, he praised such artists as [[Henry Scott Tuke]] (to whom he dedicated a homo-erotic sonnet entitled &quot;Sonnet on a picture by Tuke&quot;) and [[Henry Oliver Walker]]. He also befriended such similar-minded contemporaries as [[Frederick William Rolfe]], [[Lord Alfred Douglas]] and [[John Addington Symonds]].&amp;lt;ref&amp;gt;Aldrich, Robert and Garry Wotherspoon (eds): &#039;&#039;Who&#039;s Who in Contemporary Gay and Lesbian History: From World War II to the Present Day&#039;&#039;, page 236. Routledge, 2001&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From 1888 to 1894 he edited the periodical &#039;&#039;[[The Artist and Journal of Home Culture]]&#039;&#039;, which became something of an official periodical for the movement. In it, he praised such artists as [[Henry Scott Tuke]] (to whom he dedicated a homo-erotic sonnet entitled &quot;Sonnet on a picture by Tuke&quot;) and [[Henry Oliver Walker]]. He also befriended such similar-minded contemporaries as [[Frederick William Rolfe]], [[Lord Alfred Douglas]] and [[John Addington Symonds]].&amp;lt;ref&amp;gt;Aldrich, Robert and Garry Wotherspoon (eds): &#039;&#039;Who&#039;s Who in Contemporary Gay and Lesbian History: From World War II to the Present Day&#039;&#039;, page 236. Routledge, 2001&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/ref&amp;gt;. He discretely solicited and surreptitiously printed works that had little to do with the magazine&#039;s ostensible concern. The last issue he was to edit included his &quot;The New Chivalry&quot; essay about the social potential of boy-love &amp;lt;ref&amp;gt; https://web.archive.org/web/20070202090519/http://andrejkoymasky.com/liv/fam/biok1/kain2.html (retrieved 11 July 2023) &lt;/ins&gt;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The homosexual and pederastic aspects of &amp;#039;&amp;#039;The Artist and Journal of Home Culture&amp;#039;&amp;#039; declined after the replacement of Kains Jackson as an editor in 1894. The final issue edited by Kains Jackson included his essay &amp;#039;&amp;#039;the New Chivalry&amp;#039;&amp;#039;, an argument for the moral and societal benefits of pederasty and erotic male friendship .&amp;lt;ref&amp;gt;Allen J Frantzen: &amp;#039;&amp;#039;Bloody Good: chivalry, sacrifice, and the Great War&amp;#039;&amp;#039;, page 145. University of Chicago Press, 2003&amp;lt;/ref&amp;gt; According to Kains Jackson, the New Chivalry would promote &amp;quot;the youthful masculine ideal&amp;quot; over the Old Chivalry&amp;#039;s emphasis on the feminine. Jackson&amp;#039;s volumes of poetry include &amp;#039;&amp;#039;Finibus Cantat Amor&amp;#039;&amp;#039; (1922) and &amp;#039;&amp;#039;Lysis&amp;#039;&amp;#039; (1924).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The homosexual and pederastic aspects of &amp;#039;&amp;#039;The Artist and Journal of Home Culture&amp;#039;&amp;#039; declined after the replacement of Kains Jackson as an editor in 1894. The final issue edited by Kains Jackson included his essay &amp;#039;&amp;#039;the New Chivalry&amp;#039;&amp;#039;, an argument for the moral and societal benefits of pederasty and erotic male friendship .&amp;lt;ref&amp;gt;Allen J Frantzen: &amp;#039;&amp;#039;Bloody Good: chivalry, sacrifice, and the Great War&amp;#039;&amp;#039;, page 145. University of Chicago Press, 2003&amp;lt;/ref&amp;gt; According to Kains Jackson, the New Chivalry would promote &amp;quot;the youthful masculine ideal&amp;quot; over the Old Chivalry&amp;#039;s emphasis on the feminine. Jackson&amp;#039;s volumes of poetry include &amp;#039;&amp;#039;Finibus Cantat Amor&amp;#039;&amp;#039; (1922) and &amp;#039;&amp;#039;Lysis&amp;#039;&amp;#039; (1924).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Wessexman</name></author>
	</entry>
	<entry>
		<id>https://lgbthistoryuk.org/index.php?title=Charles_Kains_Jackson&amp;diff=39642&amp;oldid=prev</id>
		<title>Ross Burgess at 17:30, 12 June 2016</title>
		<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=Charles_Kains_Jackson&amp;diff=39642&amp;oldid=prev"/>
		<updated>2016-06-12T17:30:53Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:30, 12 June 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot;&gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From 1888 to 1894 he edited the periodical &amp;#039;&amp;#039;[[The Artist and Journal of Home Culture]]&amp;#039;&amp;#039;, which became something of an official periodical for the movement. In it, he praised such artists as [[Henry Scott Tuke]] (to whom he dedicated a homo-erotic sonnet entitled &amp;quot;Sonnet on a picture by Tuke&amp;quot;) and [[Henry Oliver Walker]]. He also befriended such similar-minded contemporaries as [[Frederick William Rolfe]], [[Lord Alfred Douglas]] and [[John Addington Symonds]].&amp;lt;ref&amp;gt;Aldrich, Robert and Garry Wotherspoon (eds): &amp;#039;&amp;#039;Who&amp;#039;s Who in Contemporary Gay and Lesbian History: From World War II to the Present Day&amp;#039;&amp;#039;, page 236. Routledge, 2001&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From 1888 to 1894 he edited the periodical &amp;#039;&amp;#039;[[The Artist and Journal of Home Culture]]&amp;#039;&amp;#039;, which became something of an official periodical for the movement. In it, he praised such artists as [[Henry Scott Tuke]] (to whom he dedicated a homo-erotic sonnet entitled &amp;quot;Sonnet on a picture by Tuke&amp;quot;) and [[Henry Oliver Walker]]. He also befriended such similar-minded contemporaries as [[Frederick William Rolfe]], [[Lord Alfred Douglas]] and [[John Addington Symonds]].&amp;lt;ref&amp;gt;Aldrich, Robert and Garry Wotherspoon (eds): &amp;#039;&amp;#039;Who&amp;#039;s Who in Contemporary Gay and Lesbian History: From World War II to the Present Day&amp;#039;&amp;#039;, page 236. Routledge, 2001&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The homosexual and pederastic aspects of &#039;&#039;The Artist and Journal of Home Culture&#039;&#039; declined after the replacement of Kains Jackson as an editor in 1894. The final issue edited by Kains Jackson included his essay &#039;&#039;the New Chivalry&#039;&#039;, an argument for the moral and societal benefits of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;pederast &lt;/del&gt;and erotic male friendship .&amp;lt;ref&amp;gt;Allen J Frantzen: &#039;&#039;Bloody Good: chivalry, sacrifice, and the Great War&#039;&#039;, page 145. University of Chicago Press, 2003&amp;lt;/ref&amp;gt; According to Kains Jackson, the New Chivalry would promote &quot;the youthful masculine ideal&quot; over the Old Chivalry&#039;s emphasis on the feminine. Jackson&#039;s volumes of poetry include &#039;&#039;Finibus Cantat Amor&#039;&#039; (1922) and &#039;&#039;Lysis&#039;&#039; (1924).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The homosexual and pederastic aspects of &#039;&#039;The Artist and Journal of Home Culture&#039;&#039; declined after the replacement of Kains Jackson as an editor in 1894. The final issue edited by Kains Jackson included his essay &#039;&#039;the New Chivalry&#039;&#039;, an argument for the moral and societal benefits of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;pederasty &lt;/ins&gt;and erotic male friendship .&amp;lt;ref&amp;gt;Allen J Frantzen: &#039;&#039;Bloody Good: chivalry, sacrifice, and the Great War&#039;&#039;, page 145. University of Chicago Press, 2003&amp;lt;/ref&amp;gt; According to Kains Jackson, the New Chivalry would promote &quot;the youthful masculine ideal&quot; over the Old Chivalry&#039;s emphasis on the feminine. Jackson&#039;s volumes of poetry include &#039;&#039;Finibus Cantat Amor&#039;&#039; (1922) and &#039;&#039;Lysis&#039;&#039; (1924).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kains Jackson was a member of the [[Order of Chaeronea]], a gay secret society founded in 1897 by [[George Ives]].&amp;lt;ref&amp;gt;https://web.archive.org/web/20080107054304/http://www.knittingcircle.org.uk/georgeives.html [[The Knitting Circle]]: &amp;quot;George Ives&amp;quot;.&amp;lt;/ref&amp;gt; Other members included [[Samuel Elsworth Cottam]], [[Montague Summers]], and [[John Gambril Nicholson]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kains Jackson was a member of the [[Order of Chaeronea]], a gay secret society founded in 1897 by [[George Ives]].&amp;lt;ref&amp;gt;https://web.archive.org/web/20080107054304/http://www.knittingcircle.org.uk/georgeives.html [[The Knitting Circle]]: &amp;quot;George Ives&amp;quot;.&amp;lt;/ref&amp;gt; Other members included [[Samuel Elsworth Cottam]], [[Montague Summers]], and [[John Gambril Nicholson]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ross Burgess</name></author>
	</entry>
	<entry>
		<id>https://lgbthistoryuk.org/index.php?title=Charles_Kains_Jackson&amp;diff=39641&amp;oldid=prev</id>
		<title>Ross Burgess at 17:30, 12 June 2016</title>
		<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=Charles_Kains_Jackson&amp;diff=39641&amp;oldid=prev"/>
		<updated>2016-06-12T17:30:19Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:30, 12 June 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot;&gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The homosexual and pederastic aspects of &amp;#039;&amp;#039;The Artist and Journal of Home Culture&amp;#039;&amp;#039; declined after the replacement of Kains Jackson as an editor in 1894. The final issue edited by Kains Jackson included his essay &amp;#039;&amp;#039;the New Chivalry&amp;#039;&amp;#039;, an argument for the moral and societal benefits of pederast and erotic male friendship .&amp;lt;ref&amp;gt;Allen J Frantzen: &amp;#039;&amp;#039;Bloody Good: chivalry, sacrifice, and the Great War&amp;#039;&amp;#039;, page 145. University of Chicago Press, 2003&amp;lt;/ref&amp;gt; According to Kains Jackson, the New Chivalry would promote &amp;quot;the youthful masculine ideal&amp;quot; over the Old Chivalry&amp;#039;s emphasis on the feminine. Jackson&amp;#039;s volumes of poetry include &amp;#039;&amp;#039;Finibus Cantat Amor&amp;#039;&amp;#039; (1922) and &amp;#039;&amp;#039;Lysis&amp;#039;&amp;#039; (1924).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The homosexual and pederastic aspects of &amp;#039;&amp;#039;The Artist and Journal of Home Culture&amp;#039;&amp;#039; declined after the replacement of Kains Jackson as an editor in 1894. The final issue edited by Kains Jackson included his essay &amp;#039;&amp;#039;the New Chivalry&amp;#039;&amp;#039;, an argument for the moral and societal benefits of pederast and erotic male friendship .&amp;lt;ref&amp;gt;Allen J Frantzen: &amp;#039;&amp;#039;Bloody Good: chivalry, sacrifice, and the Great War&amp;#039;&amp;#039;, page 145. University of Chicago Press, 2003&amp;lt;/ref&amp;gt; According to Kains Jackson, the New Chivalry would promote &amp;quot;the youthful masculine ideal&amp;quot; over the Old Chivalry&amp;#039;s emphasis on the feminine. Jackson&amp;#039;s volumes of poetry include &amp;#039;&amp;#039;Finibus Cantat Amor&amp;#039;&amp;#039; (1922) and &amp;#039;&amp;#039;Lysis&amp;#039;&amp;#039; (1924).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kains Jackson was a member of the [[Order of Chaeronea]], a gay secret society founded in 1897 by [[George Ives]].&amp;lt;ref&amp;gt;http://www.knittingcircle.org.uk/georgeives.html [[The Knitting Circle]]: &quot;George Ives&quot;.&amp;lt;/ref&amp;gt; Other members included [[Samuel Elsworth Cottam]], [[Montague Summers]], and [[John Gambril Nicholson]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kains Jackson was a member of the [[Order of Chaeronea]], a gay secret society founded in 1897 by [[George Ives]].&amp;lt;ref&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https://web.archive.org/web/20080107054304/&lt;/ins&gt;http://www.knittingcircle.org.uk/georgeives.html [[The Knitting Circle]]: &quot;George Ives&quot;.&amp;lt;/ref&amp;gt; Other members included [[Samuel Elsworth Cottam]], [[Montague Summers]], and [[John Gambril Nicholson]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ross Burgess</name></author>
	</entry>
	<entry>
		<id>https://lgbthistoryuk.org/index.php?title=Charles_Kains_Jackson&amp;diff=39637&amp;oldid=prev</id>
		<title>Ross Burgess at 16:49, 12 June 2016</title>
		<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=Charles_Kains_Jackson&amp;diff=39637&amp;oldid=prev"/>
		<updated>2016-06-12T16:49:35Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:49, 12 June 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot;&gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The homosexual and pederastic aspects of &amp;#039;&amp;#039;The Artist and Journal of Home Culture&amp;#039;&amp;#039; declined after the replacement of Kains Jackson as an editor in 1894. The final issue edited by Kains Jackson included his essay &amp;#039;&amp;#039;the New Chivalry&amp;#039;&amp;#039;, an argument for the moral and societal benefits of pederast and erotic male friendship .&amp;lt;ref&amp;gt;Allen J Frantzen: &amp;#039;&amp;#039;Bloody Good: chivalry, sacrifice, and the Great War&amp;#039;&amp;#039;, page 145. University of Chicago Press, 2003&amp;lt;/ref&amp;gt; According to Kains Jackson, the New Chivalry would promote &amp;quot;the youthful masculine ideal&amp;quot; over the Old Chivalry&amp;#039;s emphasis on the feminine. Jackson&amp;#039;s volumes of poetry include &amp;#039;&amp;#039;Finibus Cantat Amor&amp;#039;&amp;#039; (1922) and &amp;#039;&amp;#039;Lysis&amp;#039;&amp;#039; (1924).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The homosexual and pederastic aspects of &amp;#039;&amp;#039;The Artist and Journal of Home Culture&amp;#039;&amp;#039; declined after the replacement of Kains Jackson as an editor in 1894. The final issue edited by Kains Jackson included his essay &amp;#039;&amp;#039;the New Chivalry&amp;#039;&amp;#039;, an argument for the moral and societal benefits of pederast and erotic male friendship .&amp;lt;ref&amp;gt;Allen J Frantzen: &amp;#039;&amp;#039;Bloody Good: chivalry, sacrifice, and the Great War&amp;#039;&amp;#039;, page 145. University of Chicago Press, 2003&amp;lt;/ref&amp;gt; According to Kains Jackson, the New Chivalry would promote &amp;quot;the youthful masculine ideal&amp;quot; over the Old Chivalry&amp;#039;s emphasis on the feminine. Jackson&amp;#039;s volumes of poetry include &amp;#039;&amp;#039;Finibus Cantat Amor&amp;#039;&amp;#039; (1922) and &amp;#039;&amp;#039;Lysis&amp;#039;&amp;#039; (1924).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kains Jackson was a member of the [[Order of Chaeronea]], a gay secret society founded in 1897 by [[George Ives]].&amp;lt;ref&amp;gt;http://www.knittingcircle.org.uk/georgeives.html The Knitting Circle: George Ives. &amp;lt;/ref&amp;gt; Other members included [[Samuel Elsworth Cottam]], [[Montague Summers]], and [[John Gambril Nicholson]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Kains Jackson was a member of the [[Order of Chaeronea]], a gay secret society founded in 1897 by [[George Ives]].&amp;lt;ref&amp;gt;http://www.knittingcircle.org.uk/georgeives.html &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[&lt;/ins&gt;The Knitting Circle&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/ins&gt;: &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;&lt;/ins&gt;George Ives&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;&lt;/ins&gt;.&amp;lt;/ref&amp;gt; Other members included [[Samuel Elsworth Cottam]], [[Montague Summers]], and [[John Gambril Nicholson]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==External links==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ross Burgess</name></author>
	</entry>
	<entry>
		<id>https://lgbthistoryuk.org/index.php?title=Charles_Kains_Jackson&amp;diff=23303&amp;oldid=prev</id>
		<title>Ross Burgess: /* References */</title>
		<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=Charles_Kains_Jackson&amp;diff=23303&amp;oldid=prev"/>
		<updated>2014-01-11T15:58:51Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;References&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:58, 11 January 2014&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l19&quot;&gt;Line 19:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 19:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1933 deaths]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1933 deaths]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1857 births]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1857 births]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Articles with no pictures]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ross Burgess</name></author>
	</entry>
	<entry>
		<id>https://lgbthistoryuk.org/index.php?title=Charles_Kains_Jackson&amp;diff=22359&amp;oldid=prev</id>
		<title>Ross Burgess at 10:39, 31 December 2013</title>
		<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=Charles_Kains_Jackson&amp;diff=22359&amp;oldid=prev"/>
		<updated>2013-12-31T10:39:00Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 10:39, 31 December 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l18&quot;&gt;Line 18:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 18:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Poets]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Poets]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1933 deaths]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:1933 deaths]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:1857 births]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ross Burgess</name></author>
	</entry>
	<entry>
		<id>https://lgbthistoryuk.org/index.php?title=Charles_Kains_Jackson&amp;diff=18967&amp;oldid=prev</id>
		<title>Ross Burgess: /* References */</title>
		<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=Charles_Kains_Jackson&amp;diff=18967&amp;oldid=prev"/>
		<updated>2013-11-04T17:12:29Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;References&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:12, 4 November 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l17&quot;&gt;Line 17:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 17:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Poets]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Poets]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:1933 deaths]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ross Burgess</name></author>
	</entry>
	<entry>
		<id>https://lgbthistoryuk.org/index.php?title=Charles_Kains_Jackson&amp;diff=16768&amp;oldid=prev</id>
		<title>Ross Burgess at 23:32, 18 August 2013</title>
		<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=Charles_Kains_Jackson&amp;diff=16768&amp;oldid=prev"/>
		<updated>2013-08-18T23:32:00Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:32, 18 August 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Charles &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Philip Castle &lt;/del&gt;Kains Jackson&#039;&#039;&#039; (Charles Philip Castle Kains Jackson, 1857-1933) was an English lawyer and poet, closely associated with the [[Uranian school]] of poetry.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Charles Kains Jackson&#039;&#039;&#039; (Charles Philip Castle Kains Jackson, 1857-1933) was an English lawyer and poet, closely associated with the [[Uranian school]] of poetry.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From 1888 to 1894 he edited the periodical &amp;#039;&amp;#039;[[The Artist and Journal of Home Culture]]&amp;#039;&amp;#039;, which became something of an official periodical for the movement. In it, he praised such artists as [[Henry Scott Tuke]] (to whom he dedicated a homo-erotic sonnet entitled &amp;quot;Sonnet on a picture by Tuke&amp;quot;) and [[Henry Oliver Walker]]. He also befriended such similar-minded contemporaries as [[Frederick William Rolfe]], [[Lord Alfred Douglas]] and [[John Addington Symonds]].&amp;lt;ref&amp;gt;Aldrich, Robert and Garry Wotherspoon (eds): &amp;#039;&amp;#039;Who&amp;#039;s Who in Contemporary Gay and Lesbian History: From World War II to the Present Day&amp;#039;&amp;#039;, page 236. Routledge, 2001&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From 1888 to 1894 he edited the periodical &amp;#039;&amp;#039;[[The Artist and Journal of Home Culture]]&amp;#039;&amp;#039;, which became something of an official periodical for the movement. In it, he praised such artists as [[Henry Scott Tuke]] (to whom he dedicated a homo-erotic sonnet entitled &amp;quot;Sonnet on a picture by Tuke&amp;quot;) and [[Henry Oliver Walker]]. He also befriended such similar-minded contemporaries as [[Frederick William Rolfe]], [[Lord Alfred Douglas]] and [[John Addington Symonds]].&amp;lt;ref&amp;gt;Aldrich, Robert and Garry Wotherspoon (eds): &amp;#039;&amp;#039;Who&amp;#039;s Who in Contemporary Gay and Lesbian History: From World War II to the Present Day&amp;#039;&amp;#039;, page 236. Routledge, 2001&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ross Burgess</name></author>
	</entry>
	<entry>
		<id>https://lgbthistoryuk.org/index.php?title=Charles_Kains_Jackson&amp;diff=16767&amp;oldid=prev</id>
		<title>Ross Burgess at 23:31, 18 August 2013</title>
		<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=Charles_Kains_Jackson&amp;diff=16767&amp;oldid=prev"/>
		<updated>2013-08-18T23:31:33Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:31, 18 August 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Charles Philip Castle Kains Jackson&#039;&#039;&#039; (1857-1933) was an English lawyer and poet, closely associated with the [[Uranian school]] of poetry.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;Charles Philip Castle Kains Jackson&#039;&#039;&#039; (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Charles Philip Castle Kains Jackson, &lt;/ins&gt;1857-1933) was an English lawyer and poet, closely associated with the [[Uranian school]] of poetry.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From 1888 to 1894 he edited the periodical &amp;#039;&amp;#039;[[The Artist and Journal of Home Culture]]&amp;#039;&amp;#039;, which became something of an official periodical for the movement. In it, he praised such artists as [[Henry Scott Tuke]] (to whom he dedicated a homo-erotic sonnet entitled &amp;quot;Sonnet on a picture by Tuke&amp;quot;) and [[Henry Oliver Walker]]. He also befriended such similar-minded contemporaries as [[Frederick William Rolfe]], [[Lord Alfred Douglas]] and [[John Addington Symonds]].&amp;lt;ref&amp;gt;Aldrich, Robert and Garry Wotherspoon (eds): &amp;#039;&amp;#039;Who&amp;#039;s Who in Contemporary Gay and Lesbian History: From World War II to the Present Day&amp;#039;&amp;#039;, page 236. Routledge, 2001&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;From 1888 to 1894 he edited the periodical &amp;#039;&amp;#039;[[The Artist and Journal of Home Culture]]&amp;#039;&amp;#039;, which became something of an official periodical for the movement. In it, he praised such artists as [[Henry Scott Tuke]] (to whom he dedicated a homo-erotic sonnet entitled &amp;quot;Sonnet on a picture by Tuke&amp;quot;) and [[Henry Oliver Walker]]. He also befriended such similar-minded contemporaries as [[Frederick William Rolfe]], [[Lord Alfred Douglas]] and [[John Addington Symonds]].&amp;lt;ref&amp;gt;Aldrich, Robert and Garry Wotherspoon (eds): &amp;#039;&amp;#039;Who&amp;#039;s Who in Contemporary Gay and Lesbian History: From World War II to the Present Day&amp;#039;&amp;#039;, page 236. Routledge, 2001&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot;&gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Based on a &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Wikipeida &lt;/del&gt;article.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Based on a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Wikipedia &lt;/ins&gt;article.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Poets]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Poets]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ross Burgess</name></author>
	</entry>
</feed>