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	<id>https://lgbthistoryuk.org/index.php?action=history&amp;feed=atom&amp;title=Benjamin_Britten</id>
	<title>Benjamin Britten - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://lgbthistoryuk.org/index.php?action=history&amp;feed=atom&amp;title=Benjamin_Britten"/>
	<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=Benjamin_Britten&amp;action=history"/>
	<updated>2026-07-14T06:54:53Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.45.1</generator>
	<entry>
		<id>https://lgbthistoryuk.org/index.php?title=Benjamin_Britten&amp;diff=52638&amp;oldid=prev</id>
		<title>LGBT-HP: Fix bare &lt;references&gt; tag: MW 1.45.1 Cite requires self-closing &lt;references/&gt;</title>
		<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=Benjamin_Britten&amp;diff=52638&amp;oldid=prev"/>
		<updated>2026-07-10T13:05:55Z</updated>

		<summary type="html">&lt;p&gt;Fix bare &amp;lt;references&amp;gt; tag: MW 1.45.1 Cite requires self-closing &amp;lt;references/&amp;gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:05, 10 July 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l61&quot;&gt;Line 61:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 61:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;/&lt;/ins&gt;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Composers]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Composers]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>LGBT-HP</name></author>
	</entry>
	<entry>
		<id>https://lgbthistoryuk.org/index.php?title=Benjamin_Britten&amp;diff=48696&amp;oldid=prev</id>
		<title>Wessexman: South Lodge School</title>
		<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=Benjamin_Britten&amp;diff=48696&amp;oldid=prev"/>
		<updated>2025-02-19T17:20:30Z</updated>

		<summary type="html">&lt;p&gt;South Lodge School&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:20, 19 February 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot;&gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Britten was born in [[Lowestoft]], [[Suffolk]], on 22 November 1913, the feast day of Cecilia, patron saint of music. His childhood bedroom window looked out over the sea, which from childhood became a constant source of inspiration. As an adult he commented that he needed to live near water, a desire that comes from his youthful enjoyment of living so near the coast. &amp;quot;As a family,&amp;quot; he was later to say, &amp;quot;we were enormously interested in the fishing. We had our favourite boats and knew all their names.&amp;quot;   &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Britten was born in [[Lowestoft]], [[Suffolk]], on 22 November 1913, the feast day of Cecilia, patron saint of music. His childhood bedroom window looked out over the sea, which from childhood became a constant source of inspiration. As an adult he commented that he needed to live near water, a desire that comes from his youthful enjoyment of living so near the coast. &amp;quot;As a family,&amp;quot; he was later to say, &amp;quot;we were enormously interested in the fishing. We had our favourite boats and knew all their names.&amp;quot;   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His father Robert was a dentist. His mother Edith was an enthusiastic amateur pianist and singer and although she encouraged all of her children (Britten had three siblings) to play the piano it was Benjamin whom she regarded as specially gifted. &#039;Darling Beni&#039; was Edith&#039;s favourite child &amp;lt;ref&amp;gt; https://www.bbc.co.uk/sounds/play/m0027v9g Composer of the week episode 1 In this first episode, between the sounds of the sea and the singing afternoons with mother in &#039;heaven&#039;, we listen to the first musical experiments of a little prodigy from Suffolk (accessed 19 February 2025) &amp;lt;/ref&amp;gt;. He was educated in Lowestoft and at [[Gresham&#039;s School]] at [[Holt]], Norfolk. Formal music lesson began with the piano at five and the viola at the age of 10. His viola teacher Audrey Alston arranged for him to meet the composer Frank Bridge whose orchestral suite &#039;&#039;The Sea&#039;&#039; had by Britten’s own admission &quot;knocked [him] sideways&quot;.&amp;lt;ref&amp;gt;Carpenter, pages 13–14.&amp;lt;/ref&amp;gt; Bridge agreed to given tuition to Britten who had by this time already written a large volume of music. These important lessons, however, influenced the way he was to view his output and trained him to become more critical of his work. Between the ages of five and 18 he composed well over 750 individual pieces, including songs, chamber music and full scale orchestral works. He kept everything and on occasion revised it. The earliest of these pieces is his &#039;&#039;Simple Symphony&#039;&#039; of 1934, which is based on piano music composed between the ages of nine and 12. He returned to his juvenilia throughout his life, re-examining it, sometimes with a view toward publication. The &#039;&#039;String Quartet in D major&#039;&#039; of 1931 is the last of these revised scores, and Britten worked on it only two years before his death.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His father Robert was a dentist. His mother Edith was an enthusiastic amateur pianist and singer and although she encouraged all of her children (Britten had three siblings) to play the piano it was Benjamin whom she regarded as specially gifted. &#039;Darling Beni&#039; was Edith&#039;s favourite child &amp;lt;ref&amp;gt; https://www.bbc.co.uk/sounds/play/m0027v9g Composer of the week episode 1 In this first episode, between the sounds of the sea and the singing afternoons with mother in &#039;heaven&#039;, we listen to the first musical experiments of a little prodigy from Suffolk (accessed 19 February 2025) &amp;lt;/ref&amp;gt;. He was educated in Lowestoft &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;at South Lodge School &lt;/ins&gt;and at [[Gresham&#039;s School]] at [[Holt]], Norfolk. Formal music lesson began with the piano at five and the viola at the age of 10. His viola teacher Audrey Alston arranged for him to meet the composer Frank Bridge whose orchestral suite &#039;&#039;The Sea&#039;&#039; had by Britten’s own admission &quot;knocked [him] sideways&quot;.&amp;lt;ref&amp;gt;Carpenter, pages 13–14.&amp;lt;/ref&amp;gt; Bridge agreed to given tuition to Britten who had by this time already written a large volume of music. These important lessons, however, influenced the way he was to view his output and trained him to become more critical of his work. Between the ages of five and 18 he composed well over 750 individual pieces, including songs, chamber music and full scale orchestral works. He kept everything and on occasion revised it. The earliest of these pieces is his &#039;&#039;Simple Symphony&#039;&#039; of 1934, which is based on piano music composed between the ages of nine and 12. He returned to his juvenilia throughout his life, re-examining it, sometimes with a view toward publication. The &#039;&#039;String Quartet in D major&#039;&#039; of 1931 is the last of these revised scores, and Britten worked on it only two years before his death.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Britten entered the Royal College of Music, having won an open scholarship in 1930, where his teachers included [[John Ireland]] and [[Arthur Benjamin]] and it was here that he produced his Opus 1, the &amp;#039;&amp;#039;Sinfonietta&amp;#039;&amp;#039; for small orchestra. This was dedicated to Bridge but a more stated acknowledgement of his gratitude appeared later with his work for string orchestra, the &amp;#039;&amp;#039;Variations on a Theme of Frank Bridge&amp;#039;&amp;#039;, premiered by the Boyd Neel Orchestra in the Netherlands in 1937. On graduation Britten supported himself by writing music for theatre, radio and film, working with people such as poet [[W H Auden]] who produced the texts for GPO (General Post Office) film documentaries such as &amp;#039;&amp;#039;Coal Face&amp;#039;&amp;#039; (1935) and &amp;#039;&amp;#039;Night Mail&amp;#039;&amp;#039; (1936).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Britten entered the Royal College of Music, having won an open scholarship in 1930, where his teachers included [[John Ireland]] and [[Arthur Benjamin]] and it was here that he produced his Opus 1, the &amp;#039;&amp;#039;Sinfonietta&amp;#039;&amp;#039; for small orchestra. This was dedicated to Bridge but a more stated acknowledgement of his gratitude appeared later with his work for string orchestra, the &amp;#039;&amp;#039;Variations on a Theme of Frank Bridge&amp;#039;&amp;#039;, premiered by the Boyd Neel Orchestra in the Netherlands in 1937. On graduation Britten supported himself by writing music for theatre, radio and film, working with people such as poet [[W H Auden]] who produced the texts for GPO (General Post Office) film documentaries such as &amp;#039;&amp;#039;Coal Face&amp;#039;&amp;#039; (1935) and &amp;#039;&amp;#039;Night Mail&amp;#039;&amp;#039; (1936).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Wessexman</name></author>
	</entry>
	<entry>
		<id>https://lgbthistoryuk.org/index.php?title=Benjamin_Britten&amp;diff=48695&amp;oldid=prev</id>
		<title>Wessexman: Father was a dentist.</title>
		<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=Benjamin_Britten&amp;diff=48695&amp;oldid=prev"/>
		<updated>2025-02-19T17:14:57Z</updated>

		<summary type="html">&lt;p&gt;Father was a dentist.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:14, 19 February 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot;&gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Britten was born in [[Lowestoft]], [[Suffolk]], on 22 November 1913, the feast day of Cecilia, patron saint of music. His childhood bedroom window looked out over the sea, which from childhood became a constant source of inspiration. As an adult he commented that he needed to live near water, a desire that comes from his youthful enjoyment of living so near the coast. &amp;quot;As a family,&amp;quot; he was later to say, &amp;quot;we were enormously interested in the fishing. We had our favourite boats and knew all their names.&amp;quot;   &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Britten was born in [[Lowestoft]], [[Suffolk]], on 22 November 1913, the feast day of Cecilia, patron saint of music. His childhood bedroom window looked out over the sea, which from childhood became a constant source of inspiration. As an adult he commented that he needed to live near water, a desire that comes from his youthful enjoyment of living so near the coast. &amp;quot;As a family,&amp;quot; he was later to say, &amp;quot;we were enormously interested in the fishing. We had our favourite boats and knew all their names.&amp;quot;   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His mother Edith was an enthusiastic amateur pianist and singer and although she encouraged all of her children (Britten had three siblings) to play the piano it was Benjamin whom she regarded as specially gifted. He was educated in Lowestoft and at [[Gresham&#039;s School]] at [[Holt]], Norfolk. Formal music lesson began with the piano at five and the viola at the age of 10. His viola teacher Audrey Alston arranged for him to meet the composer Frank Bridge whose orchestral suite &#039;&#039;The Sea&#039;&#039; had by Britten’s own admission &quot;knocked [him] sideways&quot;.&amp;lt;ref&amp;gt;Carpenter, pages 13–14.&amp;lt;/ref&amp;gt; Bridge agreed to given tuition to Britten who had by this time already written a large volume of music. These important lessons, however, influenced the way he was to view his output and trained him to become more critical of his work. Between the ages of five and 18 he composed well over 750 individual pieces, including songs, chamber music and full scale orchestral works. He kept everything and on occasion revised it. The earliest of these pieces is his &#039;&#039;Simple Symphony&#039;&#039; of 1934, which is based on piano music composed between the ages of nine and 12. He returned to his juvenilia throughout his life, re-examining it, sometimes with a view toward publication. The &#039;&#039;String Quartet in D major&#039;&#039; of 1931 is the last of these revised scores, and Britten worked on it only two years before his death.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;His father Robert was a dentist. &lt;/ins&gt;His mother Edith was an enthusiastic amateur pianist and singer and although she encouraged all of her children (Britten had three siblings) to play the piano it was Benjamin whom she regarded as specially gifted&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. &#039;Darling Beni&#039; was Edith&#039;s favourite child &amp;lt;ref&amp;gt; https://www.bbc.co.uk/sounds/play/m0027v9g Composer of the week episode 1 In this first episode, between the sounds of the sea and the singing afternoons with mother in &#039;heaven&#039;, we listen to the first musical experiments of a little prodigy from Suffolk (accessed 19 February 2025) &amp;lt;/ref&amp;gt;&lt;/ins&gt;. He was educated in Lowestoft and at [[Gresham&#039;s School]] at [[Holt]], Norfolk. Formal music lesson began with the piano at five and the viola at the age of 10. His viola teacher Audrey Alston arranged for him to meet the composer Frank Bridge whose orchestral suite &#039;&#039;The Sea&#039;&#039; had by Britten’s own admission &quot;knocked [him] sideways&quot;.&amp;lt;ref&amp;gt;Carpenter, pages 13–14.&amp;lt;/ref&amp;gt; Bridge agreed to given tuition to Britten who had by this time already written a large volume of music. These important lessons, however, influenced the way he was to view his output and trained him to become more critical of his work. Between the ages of five and 18 he composed well over 750 individual pieces, including songs, chamber music and full scale orchestral works. He kept everything and on occasion revised it. The earliest of these pieces is his &#039;&#039;Simple Symphony&#039;&#039; of 1934, which is based on piano music composed between the ages of nine and 12. He returned to his juvenilia throughout his life, re-examining it, sometimes with a view toward publication. The &#039;&#039;String Quartet in D major&#039;&#039; of 1931 is the last of these revised scores, and Britten worked on it only two years before his death.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Britten entered the Royal College of Music, having won an open scholarship in 1930, where his teachers included [[John Ireland]] and [[Arthur Benjamin]] and it was here that he produced his Opus 1, the &amp;#039;&amp;#039;Sinfonietta&amp;#039;&amp;#039; for small orchestra. This was dedicated to Bridge but a more stated acknowledgement of his gratitude appeared later with his work for string orchestra, the &amp;#039;&amp;#039;Variations on a Theme of Frank Bridge&amp;#039;&amp;#039;, premiered by the Boyd Neel Orchestra in the Netherlands in 1937. On graduation Britten supported himself by writing music for theatre, radio and film, working with people such as poet [[W H Auden]] who produced the texts for GPO (General Post Office) film documentaries such as &amp;#039;&amp;#039;Coal Face&amp;#039;&amp;#039; (1935) and &amp;#039;&amp;#039;Night Mail&amp;#039;&amp;#039; (1936).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Britten entered the Royal College of Music, having won an open scholarship in 1930, where his teachers included [[John Ireland]] and [[Arthur Benjamin]] and it was here that he produced his Opus 1, the &amp;#039;&amp;#039;Sinfonietta&amp;#039;&amp;#039; for small orchestra. This was dedicated to Bridge but a more stated acknowledgement of his gratitude appeared later with his work for string orchestra, the &amp;#039;&amp;#039;Variations on a Theme of Frank Bridge&amp;#039;&amp;#039;, premiered by the Boyd Neel Orchestra in the Netherlands in 1937. On graduation Britten supported himself by writing music for theatre, radio and film, working with people such as poet [[W H Auden]] who produced the texts for GPO (General Post Office) film documentaries such as &amp;#039;&amp;#039;Coal Face&amp;#039;&amp;#039; (1935) and &amp;#039;&amp;#039;Night Mail&amp;#039;&amp;#039; (1936).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Wessexman</name></author>
	</entry>
	<entry>
		<id>https://lgbthistoryuk.org/index.php?title=Benjamin_Britten&amp;diff=44896&amp;oldid=prev</id>
		<title>Ross Burgess at 13:43, 31 January 2019</title>
		<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=Benjamin_Britten&amp;diff=44896&amp;oldid=prev"/>
		<updated>2019-01-31T13:43:01Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:43, 31 January 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot;&gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Britten was born in [[Lowestoft]], [[Suffolk]], on 22 November 1913, the feast day of Cecilia, patron saint of music. His childhood bedroom window looked out over the sea, which from childhood became a constant source of inspiration. As an adult he commented that he needed to live near water, a desire that comes from his youthful enjoyment of living so near the coast. &amp;quot;As a family,&amp;quot; he was later to say, &amp;quot;we were enormously interested in the fishing. We had our favourite boats and knew all their names.&amp;quot;   &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Britten was born in [[Lowestoft]], [[Suffolk]], on 22 November 1913, the feast day of Cecilia, patron saint of music. His childhood bedroom window looked out over the sea, which from childhood became a constant source of inspiration. As an adult he commented that he needed to live near water, a desire that comes from his youthful enjoyment of living so near the coast. &amp;quot;As a family,&amp;quot; he was later to say, &amp;quot;we were enormously interested in the fishing. We had our favourite boats and knew all their names.&amp;quot;   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His mother Edith was an enthusiastic amateur pianist and singer and although she encouraged all of her children (Britten had three siblings) to play the piano it was Benjamin whom she regarded as specially gifted. He was educated in Lowestoft and at [[Gresham&#039;s School]] at [[Holt]], Norfolk. Formal music lesson began with the piano at five and the viola at the age of 10. His viola teacher Audrey Alston arranged for him to meet the composer Frank Bridge whose orchestral suite &#039;&#039;The Sea&#039;&#039; had by Britten’s own admission &quot;knocked [him] sideways&quot;.&amp;lt;ref&amp;gt;Carpenter, pages 13–14&amp;lt;/ref&amp;gt; Bridge agreed to given tuition to Britten who had by this time already written a large volume of music. These important lessons, however, influenced the way he was to view his output and trained him to become more critical of his work. Between the ages of five and 18 he composed well over 750 individual pieces, including songs, chamber music and full scale orchestral works. He kept everything and on occasion revised it. The earliest of these pieces is his &#039;&#039;Simple Symphony&#039;&#039; of 1934, which is based on piano music composed between the ages of nine and 12. He returned to his juvenilia throughout his life, re-examining it, sometimes with a view toward publication. The &#039;&#039;String Quartet in D major&#039;&#039; of 1931 is the last of these revised scores, and Britten worked on it only two years before his death.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His mother Edith was an enthusiastic amateur pianist and singer and although she encouraged all of her children (Britten had three siblings) to play the piano it was Benjamin whom she regarded as specially gifted. He was educated in Lowestoft and at [[Gresham&#039;s School]] at [[Holt]], Norfolk. Formal music lesson began with the piano at five and the viola at the age of 10. His viola teacher Audrey Alston arranged for him to meet the composer Frank Bridge whose orchestral suite &#039;&#039;The Sea&#039;&#039; had by Britten’s own admission &quot;knocked [him] sideways&quot;.&amp;lt;ref&amp;gt;Carpenter, pages 13–14&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;&amp;lt;/ref&amp;gt; Bridge agreed to given tuition to Britten who had by this time already written a large volume of music. These important lessons, however, influenced the way he was to view his output and trained him to become more critical of his work. Between the ages of five and 18 he composed well over 750 individual pieces, including songs, chamber music and full scale orchestral works. He kept everything and on occasion revised it. The earliest of these pieces is his &#039;&#039;Simple Symphony&#039;&#039; of 1934, which is based on piano music composed between the ages of nine and 12. He returned to his juvenilia throughout his life, re-examining it, sometimes with a view toward publication. The &#039;&#039;String Quartet in D major&#039;&#039; of 1931 is the last of these revised scores, and Britten worked on it only two years before his death.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Britten entered the Royal College of Music, having won an open scholarship in 1930, where his teachers included [[John Ireland]] and [[Arthur Benjamin]] and it was here that he produced his Opus 1, the &amp;#039;&amp;#039;Sinfonietta&amp;#039;&amp;#039; for small orchestra. This was dedicated to Bridge but a more stated acknowledgement of his gratitude appeared later with his work for string orchestra, the &amp;#039;&amp;#039;Variations on a Theme of Frank Bridge&amp;#039;&amp;#039;, premiered by the Boyd Neel Orchestra in the Netherlands in 1937. On graduation Britten supported himself by writing music for theatre, radio and film, working with people such as poet [[W H Auden]] who produced the texts for GPO (General Post Office) film documentaries such as &amp;#039;&amp;#039;Coal Face&amp;#039;&amp;#039; (1935) and &amp;#039;&amp;#039;Night Mail&amp;#039;&amp;#039; (1936).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Britten entered the Royal College of Music, having won an open scholarship in 1930, where his teachers included [[John Ireland]] and [[Arthur Benjamin]] and it was here that he produced his Opus 1, the &amp;#039;&amp;#039;Sinfonietta&amp;#039;&amp;#039; for small orchestra. This was dedicated to Bridge but a more stated acknowledgement of his gratitude appeared later with his work for string orchestra, the &amp;#039;&amp;#039;Variations on a Theme of Frank Bridge&amp;#039;&amp;#039;, premiered by the Boyd Neel Orchestra in the Netherlands in 1937. On graduation Britten supported himself by writing music for theatre, radio and film, working with people such as poet [[W H Auden]] who produced the texts for GPO (General Post Office) film documentaries such as &amp;#039;&amp;#039;Coal Face&amp;#039;&amp;#039; (1935) and &amp;#039;&amp;#039;Night Mail&amp;#039;&amp;#039; (1936).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1936 Britten met [[Lennox Berkeley]], another old boy of Gresham&#039;s School, at the ISCM Festival in Barcelona. Berkeley fell in love with Britten, who appears to have been wary of entering a relationship, writing in his diary, &quot;we have come to an agreement on that subject.&quot;&amp;lt;ref&amp;gt;Oliver, page 60. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ISBN 9780714832777. page 60&lt;/del&gt;&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Evans, page 366.&amp;lt;/ref&amp;gt; Nevertheless, the two composers shared a house for a year, living in the Old Mill at [[Snape]], Suffolk, which Britten had acquired in July 1937.&amp;lt;ref&amp;gt;Evans, page 494.&amp;lt;/ref&amp;gt; They subsequently enjoyed a long friendship and artistic association, collaborating on a number of works including the suite of Catalan dances titled &#039;&#039;Mont Juic&#039;&#039;, and &#039;&#039;Variations on an Elizabethan Theme&#039;&#039; (with four other composers).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1936 Britten met [[Lennox Berkeley]], another old boy of Gresham&#039;s School, at the ISCM Festival in Barcelona. Berkeley fell in love with Britten, who appears to have been wary of entering a relationship, writing in his diary, &quot;we have come to an agreement on that subject.&quot;&amp;lt;ref&amp;gt;Oliver, page 60.&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Evans, page 366.&amp;lt;/ref&amp;gt; Nevertheless, the two composers shared a house for a year, living in the Old Mill at [[Snape]], Suffolk, which Britten had acquired in July 1937.&amp;lt;ref&amp;gt;Evans, page 494.&amp;lt;/ref&amp;gt; They subsequently enjoyed a long friendship and artistic association, collaborating on a number of works including the suite of Catalan dances titled &#039;&#039;Mont Juic&#039;&#039;, and &#039;&#039;Variations on an Elizabethan Theme&#039;&#039; (with four other composers).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Britten and Pears==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Britten and Pears==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ross Burgess</name></author>
	</entry>
	<entry>
		<id>https://lgbthistoryuk.org/index.php?title=Benjamin_Britten&amp;diff=44895&amp;oldid=prev</id>
		<title>Ross Burgess: /* Bibliography */</title>
		<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=Benjamin_Britten&amp;diff=44895&amp;oldid=prev"/>
		<updated>2019-01-31T13:41:22Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Bibliography&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:41, 31 January 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l55&quot;&gt;Line 55:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 55:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Bibliography==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Bibliography==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;John &lt;/del&gt;Evans, &#039;&#039;Journeying Boy: The Diaries of the Young Benjamin Britten 1928-1938&#039;&#039; (Faber and Faber&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, 2010&lt;/del&gt;) ISBN 9780571274642&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Carpenter, Humphrey (1992). &#039;&#039;Benjamin Britten: A Biography&#039;&#039; (Faber and Faber). ISBN 978-0-571-14324-5.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*&lt;/ins&gt;Evans, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;John (2010). &lt;/ins&gt;&#039;&#039;Journeying Boy: The Diaries of the Young Benjamin Britten 1928-1938&#039;&#039; (Faber and Faber)&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. &lt;/ins&gt;ISBN 9780571274642&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Michael &lt;/del&gt;Oliver, &#039;&#039;Benjamin Britten&#039;&#039; (Phaidon&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, 1966&lt;/del&gt;) ISBN 9780714832777.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Oliver, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Michael (1966). &lt;/ins&gt;&#039;&#039;Benjamin Britten&#039;&#039; (Phaidon)&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. &lt;/ins&gt;ISBN 9780714832777.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ross Burgess</name></author>
	</entry>
	<entry>
		<id>https://lgbthistoryuk.org/index.php?title=Benjamin_Britten&amp;diff=44894&amp;oldid=prev</id>
		<title>Ross Burgess: /* Early life */</title>
		<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=Benjamin_Britten&amp;diff=44894&amp;oldid=prev"/>
		<updated>2019-01-31T13:37:13Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Early life&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:37, 31 January 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot;&gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Britten was born in [[Lowestoft]], [[Suffolk]], on 22 November 1913, the feast day of Cecilia, patron saint of music. His childhood bedroom window looked out over the sea, which from childhood became a constant source of inspiration. As an adult he commented that he needed to live near water, a desire that comes from his youthful enjoyment of living so near the coast. &amp;quot;As a family,&amp;quot; he was later to say, &amp;quot;we were enormously interested in the fishing. We had our favourite boats and knew all their names.&amp;quot;   &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Britten was born in [[Lowestoft]], [[Suffolk]], on 22 November 1913, the feast day of Cecilia, patron saint of music. His childhood bedroom window looked out over the sea, which from childhood became a constant source of inspiration. As an adult he commented that he needed to live near water, a desire that comes from his youthful enjoyment of living so near the coast. &amp;quot;As a family,&amp;quot; he was later to say, &amp;quot;we were enormously interested in the fishing. We had our favourite boats and knew all their names.&amp;quot;   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His mother Edith was an enthusiastic amateur pianist and singer and although she encouraged all of her children (Britten had three siblings) to play the piano it was Benjamin whom she regarded as specially gifted. He was educated in Lowestoft and at [[Gresham&#039;s School]] at [[Holt]], Norfolk. Formal music lesson began with the piano at five and the viola at the age of 10. His viola teacher Audrey Alston arranged for him to meet the composer Frank Bridge whose orchestral suite &#039;&#039;The Sea&#039;&#039; had by Britten’s own admission &quot;knocked [him] sideways&quot;. Bridge agreed to given tuition to Britten who had by this time already written a large volume of music. These important lessons, however, influenced the way he was to view his output and trained him to become more critical of his work. Between the ages of five and 18 he composed well over 750 individual pieces, including songs, chamber music and full scale orchestral works. He kept everything and on occasion revised it. The earliest of these pieces is his &#039;&#039;Simple Symphony&#039;&#039; of 1934, which is based on piano music composed between the ages of nine and 12. He returned to his juvenilia throughout his life, re-examining it, sometimes with a view toward publication. The &#039;&#039;String Quartet in D major&#039;&#039; of 1931 is the last of these revised scores, and Britten worked on it only two years before his death.  &lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;His mother Edith was an enthusiastic amateur pianist and singer and although she encouraged all of her children (Britten had three siblings) to play the piano it was Benjamin whom she regarded as specially gifted. He was educated in Lowestoft and at [[Gresham&#039;s School]] at [[Holt]], Norfolk. Formal music lesson began with the piano at five and the viola at the age of 10. His viola teacher Audrey Alston arranged for him to meet the composer Frank Bridge whose orchestral suite &#039;&#039;The Sea&#039;&#039; had by Britten’s own admission &quot;knocked [him] sideways&quot;.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref&amp;gt;Carpenter, pages 13–14&amp;lt;/ref&amp;gt; &lt;/ins&gt;Bridge agreed to given tuition to Britten who had by this time already written a large volume of music. These important lessons, however, influenced the way he was to view his output and trained him to become more critical of his work. Between the ages of five and 18 he composed well over 750 individual pieces, including songs, chamber music and full scale orchestral works. He kept everything and on occasion revised it. The earliest of these pieces is his &#039;&#039;Simple Symphony&#039;&#039; of 1934, which is based on piano music composed between the ages of nine and 12. He returned to his juvenilia throughout his life, re-examining it, sometimes with a view toward publication. The &#039;&#039;String Quartet in D major&#039;&#039; of 1931 is the last of these revised scores, and Britten worked on it only two years before his death.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Britten entered the Royal College of Music, having won an open scholarship in 1930, where his teachers included [[John Ireland]] and [[Arthur Benjamin]] and it was here that he produced his Opus 1, the &amp;#039;&amp;#039;Sinfonietta&amp;#039;&amp;#039; for small orchestra. This was dedicated to Bridge but a more stated acknowledgement of his gratitude appeared later with his work for string orchestra, the &amp;#039;&amp;#039;Variations on a Theme of Frank Bridge&amp;#039;&amp;#039;, premiered by the Boyd Neel Orchestra in the Netherlands in 1937. On graduation Britten supported himself by writing music for theatre, radio and film, working with people such as poet [[W H Auden]] who produced the texts for GPO (General Post Office) film documentaries such as &amp;#039;&amp;#039;Coal Face&amp;#039;&amp;#039; (1935) and &amp;#039;&amp;#039;Night Mail&amp;#039;&amp;#039; (1936).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Britten entered the Royal College of Music, having won an open scholarship in 1930, where his teachers included [[John Ireland]] and [[Arthur Benjamin]] and it was here that he produced his Opus 1, the &amp;#039;&amp;#039;Sinfonietta&amp;#039;&amp;#039; for small orchestra. This was dedicated to Bridge but a more stated acknowledgement of his gratitude appeared later with his work for string orchestra, the &amp;#039;&amp;#039;Variations on a Theme of Frank Bridge&amp;#039;&amp;#039;, premiered by the Boyd Neel Orchestra in the Netherlands in 1937. On graduation Britten supported himself by writing music for theatre, radio and film, working with people such as poet [[W H Auden]] who produced the texts for GPO (General Post Office) film documentaries such as &amp;#039;&amp;#039;Coal Face&amp;#039;&amp;#039; (1935) and &amp;#039;&amp;#039;Night Mail&amp;#039;&amp;#039; (1936).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ross Burgess</name></author>
	</entry>
	<entry>
		<id>https://lgbthistoryuk.org/index.php?title=Benjamin_Britten&amp;diff=44893&amp;oldid=prev</id>
		<title>Ross Burgess: /* Bibliography */</title>
		<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=Benjamin_Britten&amp;diff=44893&amp;oldid=prev"/>
		<updated>2019-01-31T13:03:27Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Bibliography&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:03, 31 January 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l57&quot;&gt;Line 57:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 57:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*John Evans, &amp;#039;&amp;#039;Journeying Boy: The Diaries of the Young Benjamin Britten 1928-1938&amp;#039;&amp;#039; (Faber and Faber, 2010) ISBN 9780571274642&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*John Evans, &amp;#039;&amp;#039;Journeying Boy: The Diaries of the Young Benjamin Britten 1928-1938&amp;#039;&amp;#039; (Faber and Faber, 2010) ISBN 9780571274642&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Michael Oliver, Benjamin Britten (Phaidon, 1966) ISBN 9780714832777.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Michael Oliver, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;Benjamin Britten&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;(Phaidon, 1966) ISBN 9780714832777.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ross Burgess</name></author>
	</entry>
	<entry>
		<id>https://lgbthistoryuk.org/index.php?title=Benjamin_Britten&amp;diff=44892&amp;oldid=prev</id>
		<title>Ross Burgess: /* Bibliography */</title>
		<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=Benjamin_Britten&amp;diff=44892&amp;oldid=prev"/>
		<updated>2019-01-31T13:03:11Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Bibliography&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:03, 31 January 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l57&quot;&gt;Line 57:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 57:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*John Evans, &amp;#039;&amp;#039;Journeying Boy: The Diaries of the Young Benjamin Britten 1928-1938&amp;#039;&amp;#039; (Faber and Faber, 2010) ISBN 9780571274642&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*John Evans, &amp;#039;&amp;#039;Journeying Boy: The Diaries of the Young Benjamin Britten 1928-1938&amp;#039;&amp;#039; (Faber and Faber, 2010) ISBN 9780571274642&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Michael Oliver, Benjamin Britten (&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;University of Michigan: &lt;/del&gt;Phaidon, 1966) ISBN 9780714832777.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*Michael Oliver, Benjamin Britten (Phaidon, 1966) ISBN 9780714832777.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ross Burgess</name></author>
	</entry>
	<entry>
		<id>https://lgbthistoryuk.org/index.php?title=Benjamin_Britten&amp;diff=44891&amp;oldid=prev</id>
		<title>Ross Burgess at 13:02, 31 January 2019</title>
		<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=Benjamin_Britten&amp;diff=44891&amp;oldid=prev"/>
		<updated>2019-01-31T13:02:31Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:02, 31 January 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot;&gt;Line 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Britten entered the Royal College of Music, having won an open scholarship in 1930, where his teachers included [[John Ireland]] and [[Arthur Benjamin]] and it was here that he produced his Opus 1, the &amp;#039;&amp;#039;Sinfonietta&amp;#039;&amp;#039; for small orchestra. This was dedicated to Bridge but a more stated acknowledgement of his gratitude appeared later with his work for string orchestra, the &amp;#039;&amp;#039;Variations on a Theme of Frank Bridge&amp;#039;&amp;#039;, premiered by the Boyd Neel Orchestra in the Netherlands in 1937. On graduation Britten supported himself by writing music for theatre, radio and film, working with people such as poet [[W H Auden]] who produced the texts for GPO (General Post Office) film documentaries such as &amp;#039;&amp;#039;Coal Face&amp;#039;&amp;#039; (1935) and &amp;#039;&amp;#039;Night Mail&amp;#039;&amp;#039; (1936).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Britten entered the Royal College of Music, having won an open scholarship in 1930, where his teachers included [[John Ireland]] and [[Arthur Benjamin]] and it was here that he produced his Opus 1, the &amp;#039;&amp;#039;Sinfonietta&amp;#039;&amp;#039; for small orchestra. This was dedicated to Bridge but a more stated acknowledgement of his gratitude appeared later with his work for string orchestra, the &amp;#039;&amp;#039;Variations on a Theme of Frank Bridge&amp;#039;&amp;#039;, premiered by the Boyd Neel Orchestra in the Netherlands in 1937. On graduation Britten supported himself by writing music for theatre, radio and film, working with people such as poet [[W H Auden]] who produced the texts for GPO (General Post Office) film documentaries such as &amp;#039;&amp;#039;Coal Face&amp;#039;&amp;#039; (1935) and &amp;#039;&amp;#039;Night Mail&amp;#039;&amp;#039; (1936).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1936 Britten met [[Lennox Berkeley]], another old boy of Gresham&#039;s School, at the ISCM Festival in Barcelona. Berkeley fell in love with Britten, who appears to have been wary of entering a relationship, writing in his diary, &quot;we have come to an agreement on that subject.&quot;&amp;lt;ref&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Michael &lt;/del&gt;Oliver, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;Benjamin Britten&#039;&#039;  (University of Michigan: Phaidon) &lt;/del&gt;page 60. ISBN 9780714832777. page 60&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Evans, page 366.&amp;lt;/ref&amp;gt; Nevertheless, the two composers shared a house for a year, living in the Old Mill at [[Snape]], Suffolk, which Britten had acquired in July 1937.&amp;lt;ref&amp;gt;Evans, page 494.&amp;lt;/ref&amp;gt; They subsequently enjoyed a long friendship and artistic association, collaborating on a number of works including the suite of Catalan dances titled &#039;&#039;Mont Juic&#039;&#039;, and &#039;&#039;Variations on an Elizabethan Theme&#039;&#039; (with four other composers).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1936 Britten met [[Lennox Berkeley]], another old boy of Gresham&#039;s School, at the ISCM Festival in Barcelona. Berkeley fell in love with Britten, who appears to have been wary of entering a relationship, writing in his diary, &quot;we have come to an agreement on that subject.&quot;&amp;lt;ref&amp;gt;Oliver, page 60. ISBN 9780714832777. page 60&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;Evans, page 366.&amp;lt;/ref&amp;gt; Nevertheless, the two composers shared a house for a year, living in the Old Mill at [[Snape]], Suffolk, which Britten had acquired in July 1937.&amp;lt;ref&amp;gt;Evans, page 494.&amp;lt;/ref&amp;gt; They subsequently enjoyed a long friendship and artistic association, collaborating on a number of works including the suite of Catalan dances titled &#039;&#039;Mont Juic&#039;&#039;, and &#039;&#039;Variations on an Elizabethan Theme&#039;&#039; (with four other composers).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Britten and Pears==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Britten and Pears==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ross Burgess</name></author>
	</entry>
	<entry>
		<id>https://lgbthistoryuk.org/index.php?title=Benjamin_Britten&amp;diff=44890&amp;oldid=prev</id>
		<title>Ross Burgess: /* Bibliography */</title>
		<link rel="alternate" type="text/html" href="https://lgbthistoryuk.org/index.php?title=Benjamin_Britten&amp;diff=44890&amp;oldid=prev"/>
		<updated>2019-01-31T13:01:40Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Bibliography&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:01, 31 January 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l56&quot;&gt;Line 56:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 56:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Bibliography==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Bibliography==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*John Evans, &amp;#039;&amp;#039;Journeying Boy: The Diaries of the Young Benjamin Britten 1928-1938&amp;#039;&amp;#039; (Faber and Faber, 2010) ISBN 9780571274642&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*John Evans, &amp;#039;&amp;#039;Journeying Boy: The Diaries of the Young Benjamin Britten 1928-1938&amp;#039;&amp;#039; (Faber and Faber, 2010) ISBN 9780571274642&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*Michael Oliver, Benjamin Britten (University of Michigan: Phaidon, 1966) ISBN 9780714832777.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==References==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Ross Burgess</name></author>
	</entry>
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